第二樂章 入世尚淺的演奏家對生死分離之五內俱焚痛感隻停留在字麵. 少了陳述希臘悲劇史詩所相配備的沉重. 本博格裏過去多次介紹Backhaus, 他的第二樂章堪稱典範. 貝多芬的入室弟子Czerny曾經這樣描述: "one cannot help thinking of an antique tragic scene, and the player must feel with what intense, pathetic expression his solo is performed, in order to contrast with the powerful and austere orchestral passages, which are, as it were, gradually withdrawn."
第二樂章 入世尚淺的演奏家對生死分離之五內俱焚痛感隻停留在字麵. 少了陳述希臘悲劇史詩所相配備的沉重. 本博格裏過去多次介紹Backhaus, 他的第二樂章堪稱典範. 貝多芬的入室弟子Czerny曾經這樣描述: "one cannot help thinking of an antique tragic scene, and the player must feel with what intense, pathetic expression his solo is performed, in order to contrast with the powerful and austere orchestral passages, which are, as it were, gradually withdrawn."
