智慧即財富
陳立功的文學城博客：馳縱騁橫，談今博古，飛花揚月，行文交友
音樂視頻：莫紮特的《安魂曲》
——為餘傑被迫出走中國而發
貝多芬的《D大調莊嚴彌撒》和莫紮特的《安魂曲》在我所欣賞過的全部西方經典音樂作品中排在首位。它們原本被排在我的全部音樂視頻博客係列文章的最後。最近聽聞餘傑及其家人被迫出走中國，我不得不打亂計劃，決定提前將莫紮特的《安魂曲》奉獻在此。如果餘傑在其《去國聲明》中所述事實及其出走的理由成立，那麽，這就是這個自稱具有5000年文明史的國家和民族向野蠻退化的明證和悲劇。
一個人或一群人對另一個人的自由的剝奪就是他或他們對所有其他人的自由的剝奪；一個人或一群人對另一個人的肉體和精神的奴役就是他或他們對所有其他人的精神和肉體的奴役。這是人世間最大的惡，因為它是對一切平等、正直和公義的徹底背叛。
謹以此音樂視頻博文表達自己對在中國近代史上踐行獨立思考、追求個人自由之精神並因此而為實現中國民主化而努力奮鬥的前輩、同輩以及若幹代下一輩的敬意。祝他們成功！願我的祖國不再有人對人的奴役，願人類更加美好！
Mozart Requiem by Herbert von Karajan
(注：本視頻從第10分19秒開始的一段約兩分鍾的音樂 (Dies Irae) 通常被認為是神的忿怒，或人神共忿。)
Wolfgang Amadeus Mozart / Requiem in d minor, k 626
Herbert von Karajan / Wiener Philharmoniker / Wiener Singverein, 1986
Anna Tomowa Sintow
Helga Muller Molinari
Vinson Cole
Paata Burchuladze
2:05
7:34 II. Kyrie
III. Sequentia
10:16 1. Dies irae
12:09 2. Tuba mirum
16:01 3. Rex tremendae
18:22 4. Recordare
23:32 5. Confutatis
25:54 6. Lacrimosa
IV. Offertorium
29:29 1. Domine Jesu
33:22 2. Hostias
38:00 V. Sanctus
39:50 VI. Benedictus
45:30 VII. Agnus Dei
49:13 VIII. Communio
http://www.youtube.com/watch?v=ia8ceqIDSJw&feature=fvwrel
Mozart: Requiem, original unfinished version
Wolfgang Amadeus Mozart
Requiem Mass in D minor, K626 - original unfinished version
(without Süssmayr completition).
Iride Martinez, Steve Davislim, Kwangchul Youn, Monica Groop (soloists)
CHRISTOPH SPERING (conductor)
NOTES:
Introitus is complete, Kyrie is almost fully orchestrated, Sequentia and Offertorium are fully sketched in voices and continuo, but we have only the first eight bars of Lacrimosa (which ends the Sequentia).
No Sanctus, Benedictus and Agnus Dei, although the Agnus Dei is suspected by some scholars to have been based on instruction or sketches from Mozart (http://en.wikipedia.org/wiki/Requiem_%28Mozart%29).
The last piece (in part 3/3) is a short sketch for an Amen fugue, which could be part of the Requiem, we don't exactly know.
Note that Süssmayr decided to end the work by adapting the opening two movements which Mozart had written to the different words of Lux Aeterna. This original unfinished version ends with the Amen sketched fugue not presenting the Lux Aeterna.
Part 1/3:
I. Introitus: Requiem aeternam
II. Kyrie eleison
III. Sequentia:
Dies irae
Tuba mirum
http://www.youtube.com/watch?v=u_RfFH27Ddo&feature=related
Part 2/3:
III. Sequentia (continues):
(0:00) Rex tremendae majestatis
(1:40) Recordare, Jesu pie
(7:50) Confutatis maledictis
(10:20) Lacrimosa dies illa (unfinished)
http://www.youtube.com/watch?v=a8oFkKKmCIo&feature=related
Part 3/3:
IV. Offertorium:
(0:00) Domine Jesu Christe
(3:20) Versus: Hostias et preces
V. (7:06) Amen fugue (sketch)
看來，你除了有情商，也不乏智慧。對我的認識很準確麽。那麽，“真是對莫紮特的侮辱.”“某嘩眾取寵的政治投機者”——這些話可是你說的？你知道這些話的性質不是“惡語”相向而是很有君子風度? 你認為你應該因此而從我這裏得到幾句君子風度般的回應？你配嗎？
祝你過個愉快的中國年!
你所說的政治是哪門子政治？難道獨裁奴役主義者不該受到批評甚至顛覆？難道反抗獨裁和被奴役就是政治投機分子？
你真無恥！但也許是幼稚加無知，但願是後者。或者，我也許可以說你有一定的情商，但卻沒有足夠的智商來支撐你的那點可憐的情商。
I also watched that movie around 1988. I liked it.
盡管我不是太理解這部作品，但我很懷疑你的說法是否符合莫紮特的心意。
In 1985 movie Amadeus, Requiem has strong relation to Mozart’s death. I was deeply moved by the passion of music portrayed by both actors for Mozart and the jealous court musician Salieri.
The “grey messenger” who commissioned Mozart’s final work was actually an emissary for Count Walsegg-Stuppsch, who wished to perform the Requiem in memory of his wife and required anonymity because he wished to pass the work off as his own.
Mozart started it in good spirits, but his health began to fail and he became obsessed with the idea that he was writing it for his own death. Death did indeed strike when the work was far from complete...