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讀史劄記 之 百年恥辱

(2006-04-25 12:59:00) 下一個

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一百一十一年前,自大清帝國的北洋水師在中日甲午戰爭戰敗之後,小日本就取代了歐洲人,開始了欺負和侮辱中國人的曆史。下麵是當年的一些日本畫家,描繪的在日本人眼裏的中國將領和甲午戰爭。

“Admiral Ding Juchang of the Chinese Beiyang Fleet, Totally Destroyed at Weihaiwei, Commits Suicide at His Official Residence?by Mizuno Toshikata, February 1895 [IMP_44_74]

Admiral Ding Juchang of the Chinese Beiyang Fleet, Totally Destroyed at Weihaiwei, Commits Suicide at His Official Residence. By Mizuno Toshikata, February 1895


山東威海劉公島中日甲午戰爭博物館設立的丁汝昌自殺處

The single most honorable Chinese singled out in the war prints, however, was not a mounted officer but an admiral—the venerable Ding Juchang, whose fleet was destroyed after hard fighting off Weihaiwei early in 1895. After surrendering in a courteous exchange of messages between the two sides, Admiral Ding Juchang committed suicide by taking poison. When the Chinese warship carrying his body left the harbor, the Japanese fleet dropped their flags to half-mast and fired a salute. Death by one’s own hand held an honorable place in Japan’s own warrior tradition, of course; be that as it may, several woodblock artists commemorated the admiral’s death with respectful renderings. One of the best of these, by Toshikata, imagines Admiral Ding Juchang seated in an elegant room holding a cup of poison in his hand。

獲咎甚重的悲劇英雄丁汝昌,因甲午戰敗而服毒自盡於劉公島。在日本畫家的眼裏,丁汝昌的手中,端的是一杯毒藥。可是小鬼子們哪裏能夠想得出,我們的大清帝國的水軍督都,也是賞穿黃馬甲的海龜英雄丁汝昌,自殺時吃的竟然是鴉片煙!

“After the Fall of Weihaiwei, the Commander of the Chinese Beiyang Fleet, Admiral Ding Juchang Surrenders?by Mizuno Toshikata, November 1895 [2000_123] Sharf Collection, Museum of Fine Arts, Boston

After the Fall of Weihaiwei...Admiral Ting Ju-chang Surrenders, By MIGITA TOSHIHIDE, 1895

日軍攻克威海,清將丁汝昌率眾來降,這顯然是日本的畫家在篡改曆史。隻是這樣的一幅畫,和1945年在密蘇裏號軍艦上,日軍向盟軍投降的畫麵,是多麽的相似呀。

 “Japanese Representatives Meet with a Chinese Peace Mission?by Tsuchiya Kōitsu, February 1895 [res_27_160] Sharf Collection, Museum of Fine Arts, Boston

Japanese Representatives Meet with Chinese Peace Mission. By TSUCHIYA KOITSU, 1895. 

Japanese and Chinese Dignitaries...Successfully Conclude Peace Treaty, By OGATA GEKKO, 1895 (此為日本畫家永地秀太所繪的「馬關簽約」想像圖).   

甲午戰後,大清國的全權代表李鴻章赴日談判,由美國人調解,簽下了馬關條約,割地又賠款。日本人在椅子的大小和座位的高低上麵,似乎並沒有做什麽手腳。隻是在老先生的牙床上麵,給補了一槍,把牙病給治好了。

“Illustration of Chinese Generals from Pyongyang Captured Alive?by Migita Toshihide, October 1894 (detail) [2000_380_08] Museum of Fine Arts, Boston

Illustration of Chinese Generals from Pyongyang Captured Alive by Migita Toshihide, October 1894

甲午海戰的失利,也致使中國的附屬國朝鮮陷落,去了大清帝國之一翼。日本的畫家,很快就把當時的場麵反映在自己的作品中。清朝的官員,是匍伏於地的。這幅作品,使我想起了芷江恰降,隻是在芷江,中國將領,對日君降使是好吃好喝好招待的,甚至於連日軍的佩刀,都沒有下。

網上有台灣國家文化資料館藏“臺灣賊兵降伏之圖”一幅。與朝鮮那幅風格一致,可能出自一人之手。題曰:1894年中日甲午戰爭後,清廷與日本簽訂“馬關條約”,條約中將臺灣割讓給日本,引起台灣人民成立“臺灣民主國”抵抗,於1895年與征台日軍對抗。本圖即為日人所繪的台灣人民降伏之圖,圖中日軍將臺灣人民包圍,日軍由征蕃都督陸軍中將西鄉從道、叁軍陸軍少將穀於城,和叁軍海軍少將赤鬆則良率領,聲勢浩大,背景海麵為日本船艦航行,可知日軍由海上登陸。作者為卜山口。

中國人忙呀,忙於打內戰,抗日戰爭都勝利60年了,才有這樣一幅稍微象樣一點的所謂的金獎畫像。

丟人呀!

2006-4-25

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評論
席琳 回複 悄悄話 根據網上的介紹,談判桌的座位安排還是略有不同。因李德高望重,還是受到一點照顧,給了個軟靠背。另外在李鴻章遇刺後,為了安全的原因,專門修了一條李鴻章小道:

步入會所,正中間是寬大的談判桌。出於文物保護需要,現在已用落地玻璃將四周罩了起來,參觀者隻能透過玻璃罩,觀看裏麵的擺設:一張長形大桌,將談判者劃分兩個陣線。桌子一側為清政府代表,有一把軟靠椅和若幹硬靠椅。軟靠椅是李鴻章的專座,硬靠椅則為其餘人員的座位。桌子另一側,為兩把軟靠椅及若幹硬靠椅,自然是日本方麵的座位。每張椅子旁,都立有木板,上書當年某某人之座及其官銜、品級和談判的身份。
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