我沒學過彈鋼琴,但也許因會識簡譜,買來就能彈會唱的歌,當然是沒伴奏的。也很想彈點鋼琴曲,借了一本怎樣識五線譜的書,對著"致愛麗絲"就學了起來。記得全曲彈下來時,五線譜還沒搞對,以為升調號隻管緊接著的那個音,而不是一節裏的同一個音,曲子自然也是錯彈的。後來聽了一下原曲,再看書才搞懂。接下來,學了"水邊的阿蒂霓娜"和"愛情的故事",這些都是C調的。接下來想學一個非C調的,就找了"秋的禺語"(禺差口旁,L for Love played by Clayderman),錄在磁帶的兩麵上,從小石城去匹茲堡再回來,開車聽了一路,基本記下來了。我不會看著譜彈,所以必須把譜背下來再彈。四個曲後,就背不了了,也沒開始那麽努力。以後每次在朋友那,就把四個曲接著彈一便。熟悉的朋友戲稱我彈的是"老四篇",不知道的往往讚不絕口,以為我彈得多好。多少年後,"老四篇"變成了"老三篇",又慢慢地變成了"老二篇",現在我希望能保住這"老二篇"就滿意了。當然如果有機會,我倒很想學一下左手的即興伴奏,但一直沒看到這種教材。
回複gy79的評論:
I may remember the song, but it dose take many practices to play piano music since both hands involved. I try to remember the music first, then I have to practice to remember the hands position.
gy79 發表評論於
very interested how do you remember long music notes
without physical hand help (practice). I can play quite many
popular classical pieces. Sometimes just from what I have heard before. I can also improvision on simple songs
(I, ii, IV, V, I) .
However, I found the most difficult thing is both hands timing, I almost can not sight reading while with both hands syncronized when encounted with little complicated left hand notes. Knowing Janpu is big plus for adults, you can quickly get right hand going. In fact, I think traditional wetsern line-space staff noting system is totally outdated and hard to embed any logic in it to help memorize.
我沒學過彈鋼琴,但也許因會識簡譜,買來就能彈會唱的歌,當然是沒伴奏的。也很想彈點鋼琴曲,借了一本怎樣識五線譜的書,對著"致愛麗絲"就學了起來。記得全曲彈下來時,五線譜還沒搞對,以為升調號隻管緊接著的那個音,而不是一節裏的同一個音,曲子自然也是錯彈的。後來聽了一下原曲,再看書才搞懂。接下來,學了"水邊的阿蒂霓娜"和"愛情的故事",這些都是C調的。接下來想學一個非C調的,就找了"秋的禺語"(禺差口旁,L for Love played by Clayderman),錄在磁帶的兩麵上,從小石城去匹茲堡再回來,開車聽了一路,基本記下來了。我不會看著譜彈,所以必須把譜背下來再彈。四個曲後,就背不了了,也沒開始那麽努力。以後每次在朋友那,就把四個曲接著彈一便。熟悉的朋友戲稱我彈的是"老四篇",不知道的往往讚不絕口,以為我彈得多好。多少年後,"老四篇"變成了"老三篇",又慢慢地變成了"老二篇",現在我希望能保住這"老二篇"就滿意了。當然如果有機會,我倒很想學一下左手的即興伴奏,但一直沒看到這種教材。