風華絕代林青霞【組圖】

　　上個世紀八、九十年代，是香港武俠電影從繁榮走向鼎盛的年代，推出了很多至今讓人津津樂道的傳世武俠經典。

　　林青霞，恰逢那個輝煌的年代，在她後期的演藝生涯中，武俠作品占據了一個非常重要的位置，出演了眾多武俠電影，雖然作品良莠不齊，卻創造了許多為人稱道的經典形象，和同時期的很多優秀演員一起，創造了一個電影史上空前絕後的武俠年代。 首先是較早期老怪徐克出品的奇幻武俠電影《蜀山》。《蜀山》大量運用了電腦科技，對後來的電影有比較深遠的影響，故事情節，人物造型，經過時間的沉澱，已經成為一部相對經典的武俠作品，而林青霞在劇中靈動飄逸的演繹，更是該劇的一個最大亮點，塑造了一個不是人間煙火的仙子形象，那份脫俗，即使今天看來，仍然不禁讓人怦然心動。

　　這部電影的結構不同於一般電影，女主角的出現是在電影的中段，前麵作了大量的鋪墊工作，劇中的仙子，千呼萬喚始出來，其亮相更是氣勢非凡，讓人翹首以待！片中人物造型參考了敦煌的飛天，衣飾飄逸典雅，色彩古樸靈動，所謂經典是用心打造出來的。

　　

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　　概括說來，青霞的角色是“正”，葉倩文的角色是“直”，鍾楚紅的角色是“諧”。青霞的“曹雲”是軍閥的女兒，留學歸來，有雙重身份，是立誌推翻軍閥統治的革命青年，以男裝亮相，隻能用一個“帥”字來形容，青霞的男裝造型是影片的一大亮點，很多人可能忽略了故事情節，但是沒有人忽略她的經典造型。

　　葉倩文是武師的女兒，某種程度上具有俠義心腸，比較直。相比青霞和鍾楚紅，她受角色所限精彩程度打了折扣，還算比較成功的完成了角色的塑造，但稱不上出彩。

　　鍾楚紅的角色是影片的另一大亮點，當初觀看影片時，對鍾楚紅的角色也是印象深刻。她不但可以演繹風情萬種的角色，同樣能夠把一個小舞女的可愛可憐和詼諧演繹得入木三分。故事情節中有很多詼諧搞笑的場麵，大多是由鍾楚紅來完成的，有些場景的確讓人捧腹，鍾楚紅的精湛演繹功不可沒。

　　

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         《白發魔女傳》改編自梁羽生的同名武俠小說，講述的是一個淒美浪漫的愛情故事。

　　狼女練霓裳因為小時候生活習慣的原因，性格裏麵有很多野性的成分，情感脆弱多疑，性情開闊暴躁，對於愛情卻是執著熱烈。和卓一航因為正邪對立，導致誤解，由愛生恨，瞬息青絲變白發，所謂朝如青絲暮成雪，令人歎惋神傷！

　　

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　　愛恨交纏，在彼此心底，始終難以忘情，練霓裳化愛成仇，以解苦憂，卓一航為複愛人黑發，枯守數十年癡等天山雪蓮開花。戀戀紅塵，癡情可感，最終白發變黑，有情人天山人間，碧落黃泉，生死相隨！

　　青霞的練霓裳奔放野性，敢愛敢恨，演繹得血肉豐滿！哥哥的卓一航隻能用一個字形容：帥！不管是外形還是性格，我都隻想起了一個詞！吳鎮宇的聯體人也讓人印象深刻，除了視覺上的衝擊之外，聯體人的癡情絕望瘋狂也值得一提！

　　《鹿鼎記》裏麵美女雲集，除了青霞，還有李嘉欣，陳德蓉，邱淑貞等人。

　　周星馳最欣賞的女演員是林青霞，星星的名言：林青霞穿上女裝是最美的女人，穿上男裝是最帥的男人。和徐克一樣，周星星多少有那麽一點點青霞情節，當年《大化西遊》裏麵有紫霞仙子和青霞仙子，多少有些姻緣。

　　

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　　這部影片成就了很多流傳廣泛的經典台詞，那個什麽濤濤江水綿綿不絕……

　　《刀劍笑》講的是橫刀，名劍和笑三少爭武功第一的故事。其中橫刀由徐錦江飾，名劍由青霞飾演，笑三少由劉德華飾演。這是為數不多的青霞飾演男人的一次，其他影片大多飾女扮男裝。

　　

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　　《午夜蘭花》是比較早期的古龍武俠電影。這部影片是由青霞和鄭少秋主演的，造型其實也帶有濃重的那個時代的特色。這是為數不多的青霞比較濃妝的一次。

　　

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　　青霞和劉德華版本的《絕代雙驕》其實也是一般之作，算不上精品，但也值得一看。

　　該劇對原著進行了比較大的修改，原本兄弟關係的花無缺和小魚兒，在這個版本的《絕代雙驕》中卻變成了夫妻，雖然是一次大膽的嚐試，卻局限於一個比較薄弱的製作班底而無法創造經典。

　　

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　　《新龍門客棧》眾星雲集，林青霞、張曼玉、梁家輝，甄子丹、吳啟華等人的表演也都堪稱經典。該片在人物塑造方麵空前成功，周淮安、邱莫言、金鑲玉，大太監曹少卿等角色無不深入人心。之所以能成為經典，首先是有良好的創作班底，演員也都是全情演繹，簡言之，無非“用心”兩個字。

　　

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　　邱莫言是俠義的典型代表，感情真摯內斂，收而不露，讓人愛得深沉；感動於她俠義的肝膽和隱忍的胸懷

　　

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　　這個版本的《天龍八部》限於創作和製作班底的水平，隻能說是一部平常之作，場景和打鬥都不夠真實自然，有些流於意識，太過天馬行空，但林青霞的演繹卻是她所有角色裏麵最好的之一。李秋水的演繹可以用四個字來形容：收放自如

　　

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　　這是林青霞基本上未曾演繹過的準反麵角色，與其他武俠片中的角色截然不同。李秋水為“名”和“情”所困，內心暗仄，自視甚高，目空一切，及時行樂。

　　之所以說李秋水是個準反麵角色，因為她內心也有柔軟之處，常常憶起當日歌舞之情，內心悲苦，無人可知。

　　

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　　在原來厚重背景的襯托下，《東方不敗》著力於刻畫東方不敗和令狐衝之間一段似是而非的感情故事，使故事更加具有戲劇性並充滿懸念，是一部充滿天馬行空般想象力的浪漫主義作品，也是武俠電影史上一部難以超越的經典之作！影片的配樂和顏色的運用都堪稱經典，是影片成為經典不可或缺的因素，看過電影的人相信對影片中的音樂和東方不敗的服飾都會印象深刻。不能不提的是，這部影片鏡頭感十足，或仰或俯，使影片更加氣勢磅礴。

　　

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　　林青霞在《新龍門客棧》和《東方不敗》中的兩個角色充滿戲劇性的巧合。同樣是由男裝而入女裝，同樣是癡情未果，同樣是淒美的結尾，《新龍門客棧》中的“沉沙”和《東方不敗》中的“墜崖”都是淒美絕倫，不可複製！

　　

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　　《東成西就》是一部賀歲之作，影片把香港電影的娛樂精神發揮到了極至。即使忽略故事情節，同樣能夠被單純的片斷賀台詞逗得捧腹，是一部不可多得的純娛樂性質的高質量影片。

　　

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　　《東邪西毒》采用獨白式的結構，重寫情理而淡化故事，在錯綜複雜的人物關係中，可以整理出來一條貫穿影片的主線，就是一個“情”字。影片中人物的命運都受一個“情”字的支配和擺布，抓住這一個字就能抓住整部影片。青霞在劇中飾演慕容燕和慕容嫣兩個角色，實際上是一個由於感情受挫而患有一定程度人格分裂的角色，挑戰很大。

　　

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　　《風雲再起》是《東方不敗》的續集，但基本上和《東方不敗》沒有太大關係，影響力也遠不及《東方不敗》。雖然沒有《東方不敗》精彩，《風雲再起》裏麵也有自己的亮點，其中東方不敗女裝在浪人營裏麵的精湛演繹至今被津津樂道。但沒有一個特別有分量的男主角，可以算是一個遺憾。

　　

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　　浪人營裏東方不敗女裝彈唱“笑紅塵”一段，是影片中極為出采的一段，點睛之筆

　　

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　　《六指琴魔》根據倪匡小說改編，雖然稱不上經典，總體來說還算不錯。

　　

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　　《火雲傳奇》是一部比較有特點的影片。故事講述王爺的女殺手從作惡到投明的經曆。其中感情戲描寫得比較含蓄委婉，打戲是虛實的結合，尤其最後一場重頭打鬥場麵，更加令人過目難忘，除了情感和打鬥，由於吳君如的加盟，本片也不乏笑料，整體上可以算得上是一部佳作。片中林青霞飾演殺手阿霞，是一個戴著麵紗在矛盾中掙紮的有情義有擔當的女殺手。吳君如和莫少聰飾演劇中重要角色。

　　

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　　《情人看刀》是比較早期的作品，主要演員有林青霞，鄭少秋等人。

　　

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