From classic-rock squabbles to hip-hop diss tracks and social media wars, here are the ridiculous, rancorous conflicts that have held us rapt.
Rolling Stone Jordan Runtagh
Creative differences, financial disputes, drug abuse, love triangles – in the music industry, the opportunities to butt heads are basically limitless. The bigger the star, the bigger the ego, and when two tangle, you get a supernova of spite and bile that holds the world in rapture, turning mature adults into spit-flecked children chanting “Fight, fight, fight!” in a circle at recess.
Many clashes are over in a flash, while others drag out for years and even decades. Some feuds are undoubtedly hilarious, birthing otherworldly insults like Liam Gallagher’s “Potato” and Mariah Carey’s beyond catty “I don’t know her,” both of which will live on until the end of the Internet. Others are tragic and have no possible upside as friendships, bands, families and even lives are destroyed in the process. Others still have inspired an entire sub-category of song that crosses all genre boundaries: the diss track. (See: “Bad Blood,” “Swish Swish,” about 25 percent of all rap songs.)
Pick a side, or simply spectate. No judgment.
John Lennon vs. Paul McCartney
Yoko Ono and Paul McCartney and John Lennon and Beatles; L-R. Yoko Ono, John Lennon, Paul McCartney in the audience at the London Pavillion for premiere of ‘Yellow Submarine.’ Photo by Cummings Archives / Redferns.
The generation-defining duo kept their squabbles behind closed doors during the Beatles’ death throes in the late Sixties, but as McCartney made a move to legally dissolve the band’s partnership in December 1970, Lennon took the spat public in the pages of Rolling Stone. The conversation with magazine founder Jann Wenner touched on McCartney’s supposedly overbearing nature in the studio (“I pretty damn well know we got fed up of being sidemen for Paul,” he seethed), McCartney’s poor leadership following the death of the band’s manager Brian Epstein, and the other Beatles’ reaction to Lennon’s new relationship with Yoko Ono. “Ringo was all right, but the other two really gave it to us. I’ll never forgive them.”
McCartney’s public response was more measured. On 1971’s Ram, he included a subtle jab at Lennon on the opening track, “Too Many People,” mocking the former Teddy Boy rebel’s sudden fervor for world-peace crusades with the line “Too many people preaching practices.” Elsewhere in the song he sings, “You took your lucky break and broke it in two,” which McCartney later admitted was also directed at his former bandmate.
The line went over most people’s heads, but Lennon got the reference – and fired back with one obvious enough for everyone. Included on 1971’s Imagine is “How Do You Sleep?,” a diss track so positively nasty that it borders on obscene. In footage taken at the session, Lennon, Ono and guest guitarist George Harrison can be seen laughing as they swap lines like “The sound you make is Muzak to my ears/You must have learned something in all those years,” and a dig at his most famous song: “The only thing you done was ‘Yesterday.'”
McCartney was reluctant to punch back. His major public response was the devastating “Dear Friend” from 1971’s Wild Life, in which he mournfully wonders whether this was “really the borderline” of their relationship. The delicate lament was an olive branch, though it would take some time to be accepted as such. Friendly calls from McCartney were met with Lennon’s suspicious “Yeah, yeah, whatdaya want.” His new American twang particularly grated McCartney, who once shot back, ‘Fu**ck off, Kojak!”
Relations had improved enough by the mid Seventies for McCartney to occasionally drop by Lennon’s Upper West Side apartment at the Dakota building when business brought him to New York City. Together the old friends would reminisce and exchange thoughts on baking bread or their young children. Any hopes of a permanent reconciliation were ended by an assassin’s bullet on December 8th, 1980.
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