A song 【Yueqin】 has labelled singer Zheng Yi, and She was asked to perform [Yueqin] for every single time. I got to know Zheng Yi through a song 【結束】, and then I got to know 【月琴】. Upon hearing【月琴】, and I was fortunate not to miss the singer Zheng Yi. 【月琴】is a modern Taiwanese folk song composed by Lai Xi'an in 1981, composed by Su Lai, and sung by Taiwan singer Zheng Yi. It is included in Zheng Yi's first album "Zheng Yi/Wang Xinlian/Ma Yizhong". It is one of Zheng Yi 's personal masterpieces. The song 【Yueqin】 provokes my curiosity about this instrument.
一首《月琴》給歌手鄭怡打上了標簽，凡是鄭怡現場，都會被點唱【月琴】。我通過一首【結束】，知道了鄭怡，然後輾轉知道了【月琴】，通過【月琴】慶幸沒有錯過鄭怡這位歌手。
《月琴》是1981年賴西安填詞，蘇來譜曲，台灣歌手鄭怡演唱的一首台灣現代民歌作品，收錄在鄭怡的第一張專輯《鄭怡/王新蓮/馬宜中》中，是鄭怡個人的代表作之一。
通過【月琴】這首歌，產生了對這個樂器的好奇心。
The yueqin or yue qin (Chinese:月琴, pinyin：yuèqín), formerly romanized as yüeh-ch‘in and also known as the moon guitar, moon lute, gekkin, wolgeum, or la-ch‘in, is a traditional Chinese string instrument. It is a lute with a round, hollow wooden body which gives it the nickname moon guitar.
According to tradition, the instrument was invented in China during the 3rd- to 5th-century Jin Dynasty.[1] The ruan, another Chinese instrument, is the ancestor of the yueqin.[1] The name yueqin once applied to all instruments with a moon-shaped soundboard, including the ruan; however, "yueqin" now applies to a separate category from the ruan family.
It has a short fretted neck and four strings tuned in courses of two (each pair of strings is tuned to a single pitch), generally tuned to the interval of a perfect fifth. Occasionally, the body of the yueqin may be octagonal in shape.[2] It is an important instrument in the Peking opera orchestra, often taking the role of main melodic instrument in lieu of the bowed string section.
Yueqin originated from Ruan. As early as Emperor Wu of the Han Dynasty (140-87 BC), the Chinese people have invented Ruan.
Yueqin is an instrument evolved from Ruan. It has been popular among the people since Jin Dynasty, and it has been named Yueqin since Tang Dynasty. Yueqin was introduced into Japan in the Tang Dynasty, and reached its peak in the 1830s. Yueqin was banned in Japan during the Second World War, and it was restored after the war.
月琴是流傳於東亞的彈撥樂器。宋朝開始作為樂器阮鹹的異名[1]。曾流傳於中國、日本、朝鮮半島、越南。現在還流傳於中國和越南。早期月琴長頸，一般有十二品左右。清代出現八品左右的短頸月琴，便於演奏高音區，常用於戲曲曲藝的伴奏。1950年代發展改良阮之後，月琴在中國大陸通常指短頸月琴。
短頸月琴通常使用木製圓形音箱，亦有八角形音箱的品種。麵背板中間橫置2音樑，音樑中間有2音柱。張4根弦，通常是5度定弦，演奏時左手按弦，右手持撥子彈奏，音域約2個8度。音量較小，音色清脆柔和，適合抒情性的說唱，可以烘托故事的氣氛，多用於戲曲、曲藝和歌舞伴奏，也用於合奏。
月琴
天籟女聲鄭怡的【月琴】，無人超越的原唱， I had listened this song several times today. I am really homesick now.
月琴演奏【青花瓷】
【月琴】
再唱一段
思想起
唱一段思想起
唱一段唐山謠
走不盡 的坎坷路
恰如祖先的步履
抱一支老月琴
三兩聲不成調
老歌手 琴音猶在
獨不見恒春的傳奇
落山風 向海洋
感傷 會消逝
接續你的 休止符
再唱一段 唐山謠
再唱一段 思想起
唱一段思想起
唱一段唐山謠
走不盡 的坎坷路
恰如祖先的步履
抱一支 老月琴
三兩聲 不成調
老歌手 琴音猶在
獨不見恒春的傳奇
落山風 向海洋
感傷 會消逝
接續你的 休止符
再唱一段 唐山謠
再唱一段 思想起
再唱一段
思想起
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