哈梅
音樂天地
《逍遙自在》演唱：我
“春風來，花兒開，我在等待你回來…”
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貝多芬的《悲愴奏鳴曲》 Pathétique 2nd Mvt. - Adagio Cantabile
彈奏：我（2-16-2022錄的）
沒練熟，錄的當天花了1-2小時突擊了一下，為了哀悼一位突然逝世的歌友。
有幾處猶豫，不是很明顯；但最後部分的開始有一個音彈錯，很突兀，是個敗筆，雖然立即糾正了。
我的文學城電台鏈接：https://www.wenxuecity.com/radio/post.php?act=post_view&postid=
【高光時刻】《逍遙自在》《悲愴奏鳴曲》 - 哈梅 - ♀ 
(2184 bytes) (745 reads) 04/20/2024 22:03:02 
(13)
• 讚！真是個美才女 - gzlady - ♀ (0 bytes) (1 reads) 04/20/2024 22:07:19
• 謝謝廣姐過獎！：） - 哈梅 - ♀ (0 bytes) (0 reads) 04/20/2024 22:10:05
• 熟悉的君歌，唱的好聽，彈奏的也好，雙讚哈梅的好彈唱。 - 醒來已經是黃昏 - ♂ (0 bytes) (1 reads) 04/20/2024 22:09:33
• 謝謝昏哥美言鼓勵！：） - 哈梅 - ♀ (0 bytes) (0 reads) 04/20/2024 22:10:48
• 鄧歌，哈妹唱得別有一番風味，，， - 李大牙 - ♂ (66 bytes) (7 reads) 04/20/2024 22:11:00
• 哈哈哈，謝謝大牙！我把譜翻得劈裏啪啦的，都怪編譜的圖省事。：） - 哈梅 - ♀ (0 bytes) (2 reads) 04/20/2024 22:13:33
• 美才女 - 好吃狗 - ♀ (0 bytes) (1 reads) 04/20/2024 22:49:10
• 謝謝好班謬讚！：） - 哈梅 - ♀ (0 bytes) (2 reads) 04/20/2024 23:21:04
• 讚讚讚讚 - 青柏 - ♀ (0 bytes) (2 reads) 04/20/2024 22:56:58
• 謝謝大美女鼓勵！：） - 哈梅 - ♀ (0 bytes) (0 reads) 04/20/2024 23:22:15
• 多才多藝！ 讚讚讚！ - 碧藍天 - ♀ (0 bytes) (2 reads) 04/20/2024 23:03:03
• 謝謝藍班美言鼓勵！：） - 哈梅 - ♀ (0 bytes) (0 reads) 04/20/2024 23:22:46
• 琴聲配畫 - dahaiyang - ♂ (81 bytes) (3 reads) 04/21/2024 06:12:09
• 才看到！謝謝大畫家為我畫肖像，還真像！：） - 哈梅 - ♀ (0 bytes) (0 reads) 04/21/2024 09:48:50
The word “Pathétique” appears in both Tchaikovsky's Symphony No. 6 and Beethoven’s Piano Sonata No. 8, but they are very different works—in instrumentation, period, emotional context, and musical style.
???? 1. Instrumentation & Form
| Feature | Tchaikovsky – Symphony No. 6 “Pathétique” | Beethoven – Sonata No. 8 “Pathétique” |
|---|---|---|
| Type | Symphony | Piano sonata |
| Instrumentation | Full orchestra | Solo piano |
| Structure | 4 movements | 3 movements |
| Duration | ~45 minutes | ~19–20 minutes |
| Composed in | 1893 (Romantic period) | 1798 (Early Classical/Romantic transition) |
???? 2. Emotional Tone and Meaning of “Pathétique”
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Tchaikovsky’s use of “Pathétique” (from the Russian title “Pateticheskaya”) leans toward deep emotional suffering, tragedy, and fatalism. It’s his final symphony, and he died just days after its premiere, adding mystery and a sense of farewell to the work.
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Beethoven’s use of “Pathétique” (French for “emotional” or “moving”) was more dramatic than tragic, reflecting heroic struggle and tension, common in early Romantic music. It’s passionate but not necessarily despairing.
???? 3. Thematic and Musical Differences
| Aspect | Tchaikovsky | Beethoven |
|---|---|---|
| Opening | Slow, brooding bassoon solo → Allegro dramatic | Grave slow intro → fiery Allegro |
| Mood | Melancholy, elegiac, emotionally turbulent | Bold, dynamic, stormy, but with clarity |
| Famous Movement | Final movement (Adagio lamentoso – ends in despair) | First movement (Grave – Allegro molto) |
| Ending | Ends quietly, fading into nothing (unusual) | Ends more conventionally |
| Key | B minor | C minor |
???? Listening Tip: What to Notice
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Tchaikovsky's 6th is emotionally draining, with a waltz in 5/4, a triumphant march (3rd movement), and then a crushingly sad finale. It’s about internal struggle, mourning, and existential weight.
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Beethoven's Sonata is intensely dramatic, with rhythmic drive and sudden dynamic contrasts. The famous first movement balances pathos and power, showing Beethoven’s early experimentation with emotional intensity.
? Summary:
| Feature | Tchaikovsky's Symphony No. 6 | Beethoven's Sonata No. 8 |
|---|---|---|
| Emotion | Deeply tragic, introspective | Dramatic, heroic |
| Scale | Orchestral, large form | Solo piano, compact form |
| Period | Late Romantic | Early Romantic |
| Impact | A farewell to life | A breakthrough work |
