(明鏡陳小平博士在節目中找人評論電影"無依之地", 沒有聽太懂。或許我理解錯了, 因為導演是華人,讚美這部電影成了海外華人政治正確的一種表現;而導演是華裔女子的事實,更讓人感覺不喜歡這部電影就是一種無可饒恕的犯罪行為。暈頭轉向之際,回想一下沒有看完的“無依之地",把破碎的記憶順手寫了下來,算是對這部電影的一個政治不正確的理解。)
After her husband has passed away before her time is due, she renovates a small van, loads on her remembrance of him, and drives it from place to place in the middle of nowhere. It may not be the fashion she desires to idle away a new kind of life ahead of her without him by her side, but rather the only way she can afford to live back into those good old days with him still around. As her mind roams deeply in the past, she becomes emotionally impotent to let anyone else into her self-blockaded heart, leading her at last to turn down the favor of a man who seems to be the perfect salvation of both. In truth, their half-baked relationship might have been doomed by suffocation from the very beginning, as still holding out in an old relationship, she is incapable of breathing any fresh air into a new one.
Feel no sorry for her though, as she always tells people. With her mind staying happily in the time ever before her husband has died, she can neither see nor feel the hardship she is now physically going through. In this sense, her life is like that of the princess in a fairytale, who "lives happily with her prince ever after", if only she in the movie has to do so backward.
Yet, with an unjustified sense of guilt, I like this movie not.
這些反賊太壞了,隻考慮自己一時爽,不看人家當導演要給投資人把錢掙回來的壓力。。
壞!