https://youtu.be/i6-sS5hWRc8?si=zMw5dKFfXG9s42kM
2-- https://youtu.be/6jtNJfrnSA8?si=j6W2dDu9y2dWtykA 2003年西部愛情電影《愛在春天來臨》
21,169 views Jul 9, 2025
電影《愛在春天來臨》馬蒂(凱瑟琳·海格爾 Katherine Heigl 飾)的戀人在一次意外中失去了生命,懷著戀人的孩子,馬蒂不知道今後的生活該何去何從。此時,一個名叫克拉克(戴爾·米德基夫 Dale Midkiff 飾)的男人出現在了馬蒂的麵前,他以給孩子找個母親為由向馬蒂求婚,並允諾會在來年春天付給馬蒂回城的旅費,迫於生計,馬蒂答應了。
幸運的是,克拉克是一位正人君子,他對馬蒂以禮相待,絕不做任何非分之舉。可是克拉克的女兒卻並不像她的父親那樣,對於憑空出現的“母親”,她產生了強烈的排斥心理。隨著時間的流逝,馬蒂的溫柔和開朗逐漸的化解了她和繼女之間的堅冰。暴風雪過後,春天很快就要來到,眼看約定好的離別的日子越來越近,馬蒂和克拉克的心中都充滿了依依不舍的情懷。
3 --- https://youtu.be/0r46L3xz1NI?si=h5jIFYnKjwhSC_tC 防不勝防 Palmetto (1998) cast: Woody Harrison, Elizabeth Shue
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The film is Redeeming Love (Chinese: 《誰可以這樣愛我》), a 2022 Christian Western-romance directed by D.J.?Caruso, starring Abigail Cowen and Tom Lewis IMDb+14Wikipedia+14Wikipedia+14.
Based on: Francine Rivers’s 1991 best-selling novel Redeeming Love, inspired by the Book of Hosea Roger Ebert+2Wikipedia+2IMDb+2.
Plot: Set during the California Gold Rush, Angel (Abigail Cowen) is sold into prostitution and trusts no one. Michael Hosea (Tom Lewis), a kind farmer, marries her out of obedience to God’s calling. Through patience, unending love, and redemption, Angel learns self-worth and faith Roger Ebert+3Wikipedia+3Wikipedia+3.
Themes: Redemption, unconditional love, healing trauma, mutual salvation (she heals because he loves; he demonstrates divine love) .
Notable production notes: Shot partly in South Africa, had mixed reviews; praised by Christian audiences, critiqued for explicit scenes and some anachronisms Wikipedia.n English of "<誰可以這樣愛我>居然有電影,太驚喜了,十幾年前在教會的圖書館看到這本小說,感動的一塌糊塗,根據聖經舊約<何西阿書>改編。" 書名是縫補靈魂的天使!美好的電影。 我從中看見了學習放下過去,相信自己值得,不要放棄掙紮。 唯有掙脫過去的束縛活在當下,在幸福來臨的一刻才能好好把握。 看到不少留言認為女主是被拯救的一方,在我看來則不然。她能好好克服自己的黑暗,走向在光中等待的男主,對深愛她的人而言,這種心意的回應也是種救贖。所以應該是雙向的,而非因女主身世坎坷就是被救的那方。麥克本性善良純潔忠誠為了拯救一個遍體鱗傷的女子而下凡的天使!不是因為女子容貌有多麽的美麗,而是祂與生俱來均擁有一顆比任何寶石都珍貴的憐憫之心。 Cast: Abigil Cohen "Sarah" "Angie" (代表從罪惡世界中被主耶穌拯救的基督徒), Tom Levis (男主角 "Mike" 是隱喻耶穌呀,女主角是每一位受苦仍在迷路的基督徒) 男主角和女主角都是性情純淨且善良之人,值得擁有幸福的家庭和美滿的生活!). 6:43 當一個人從小到大都受到傷害的情況下,在第一次受到好的對待時也會受寵若驚,更是出現我不配得到,或者你有利可圖的接近我,這些不屬於我的心態呈現,隻有自己能踏出這道檻麵對 10:28 這種情況也很容易發生,但隻為了懲罰自己就是爛,自暴自棄-- 換個方向思考,邁克若選擇普通女子結婚,就不需要受那麼多苦難了,為安吉兒贖身的錢夠他生活富足,在現實中有時候人也是如此,追求著不屬於自己的人事物,因執著慾望而將自己置身於不利的處境,若能退一步放棄或克製,反倒煩惱少大半。 看完這部解說其實我之前一直都有在思考一個問題,到底要先學會愛自己,才能愛別人,還是先學會愛別人,才能愛自己,最後我得出結論沒有一定的標準,隻要你喜歡 電影明顯穿幫的地方是,初期女主角在青樓裏穿的絲襪,是現代工業機械針織, 那個時代的粗加工做不出來這種產品,那時不一定有橡膠加固不鬆脫工藝。而電影中男主角在農場中使用傳統牛耕犁頭,和工業時代背景不符。May this Tuesday be a day of renewal for you, a day where you are refreshed and rejuvenated in body, mind, and spirit. May you find rest in God's presence, and may His peace restore your weary soul.自古以來,猶太人有個傳統觀念,就是人死了以後將來會複活(參閱約翰福音11章23節),例如約伯確信他死後必“得見上帝”(約伯記19章26-27節)。在舊約,眾先知宣告,當彌賽亞降臨時,人們將從死裏複活(參閱以賽亞書26章19節;但以理書12章2節)。及至新約,使徒保羅清楚表明:“若沒有死人複活……基督也就沒有複活了”,而且我們“仍在罪裏”(哥林多前書15章13、17節)。但因基督“已經從死裏複活”(20節),我們便能超越令人絕望的處境,盼望到了那一天,“死人要複活成為不朽壞的”(52節)。 @perllu9706 2 days ago 果然是電影小説的蝦掰劇情,有個圓滿結局!有伊麗莎白泰勒結了七次婚,越來越富有出名,演技實力越來越強,都沒有找到她最愛的人,終於70幾歲過世了,對她最好的第二任老公忍她愛她,收入不如她,演技不如她被她嘲諷激怒摔他東西,都從沒有對她講過難聽的話,被她離婚人問他還說他還是愛她,因爲愛她才能忍受妻子對他的怒火,她覺得他激不起給她生活的熱情和勢均力敵,他差她太多了,但女人都想要一個愛她的男人能這樣溫柔的對待自己,劇中兩人有著差距太大的小時候,被虐大的人心裡充滿陰影,男主隻有1%的人存在世上,有有錢的老爹卻看不慣他欺壓別人,竟然沒像90%的人ㄧ樣學老爹,為虎作倀?真是太假了!世上確實有這樣1%的人存在,上帝稱他們為義人,但他竟然也像隻有1%的男人ㄧ樣,竟然缺一個愛他願意陪伴他的女伴侶,這演給90%的人看,不知道看到了什麼?find the original film name and plot lines
Here’s the English translation and details based on your text:
“‘Redeeming Love’ actually has a movie – what a wonderful surprise! Over a decade ago, I found the original novel in a church library and was deeply moved. It's adapted from the Old Testament book of Hosea. The title is Redeeming Love—an angel mending a broken soul. Such a beautiful film.
I saw the theme of letting go of the past, believing in your worth, and not giving up the struggle. Only by breaking free from past chains and living in the present can one truly embrace happiness when it arrives.
Many comments say the heroine is the rescued one, but I disagree. She overcomes her darkness and moves toward the hero who stands in the light. To someone who deeply loves her, her response is also a form of redemption. So it's mutual, not just that the heroine’s difficult past makes her the rescued. Mike is inherently kind, pure, and loyal—a heavenly angel who descended to rescue a deeply wounded woman—not because she’s breathtakingly beautiful, but because he has a compassion more precious than any jewel.
Cast: Abigail Cowen as Sarah/Angel (symbolizing a Christian rescued from sin by Jesus), Tom Lewis as Mike (the hero, metaphorical for Jesus, and the heroine represents every suffering, lost Christian). Both lead characters are pure-hearted and kind, deserving of a happy family and fulfilling life.
At 6:43 in the movie, when someone has been hurt all their life, the first taste of kindness can be overwhelming. They feel unworthy or suspect motives, and only they can step out and confront that barrier with love.
At 10:28, self-punishment is common: thinking “I’m worthless” or “I’ll give up”—but consider this: if Mike chose an ordinary woman, he wouldn’t have suffered so much. His sacrificial spending on Angel could have given him a comfortable life. In real life, people chase things not meant for them, and their obsession puts them in trouble. If they could let go or restraint, half the worry would vanish.
After watching, I’ve been pondering: do you need to learn to love yourself first to love others, or vice versa? I concluded there’s no fixed rule—just go with what suits you .
One obvious flaw: early on, the heroine wears modern, machine-knit stockings in the brothel—such technology didn’t exist then, and that era lacked rubber-reinforced seams. Also, the hero uses a traditional ox-plow on a farm, which clashes with the era’s industrial setting.
May this Tuesday be a day of renewal—may you be refreshed in body, mind, and spirit, find rest in God’s presence, and may His peace restore your weary soul.
Since ancient times, Jews have believed in bodily resurrection after death (see John 11:23; Job 19:26–27). Prophets foretold resurrection when the Messiah comes (Isaiah 26:19; Daniel 12:2). Apostle Paul clarified that without resurrection, Christ hasn’t been raised (1?Cor?15:13,?17), but because He’s risen (v.?20), we’ve gained hope over despair, looking forward to an immortal body when the dead will rise imperishable (v.?52).”
You’ve highlighted several core themes:
Mutual redemption: The relationship is two-way—Angel’s healing is both a gift and a response.
Inner transformation: Emphasizes overcoming trauma via trust and present-moment living.
Sacrifice & choice: Michael’s sacrifice mirrors Jesus; Angel's choice to receive that love is key.
Self-worth vs. self-love: The question you raised—whether one must love oneself before loving others—is deeply personal; the film suggests both grace from others and self-acceptance can coexist dynamically.