「人間如夢 朱新建手跡展」開幕

 

 

 

人間如夢 — 朱新建手跡展

Dreams alike—Zhu Xinjian

 

 

策展人 Curator:陳瑞 Chen Rui

 

 

展覽時間 Exhibition Dates: 2019.11.10-11.19

 

 

地址 Add:江蘇省南京市鼓樓區鳳熙路27號

No.27, Fengxi Road, Gulou District, Nanjing, Jiangsu

 

 

 

 

 

 

"人間如夢——朱新建個人手跡展"於昨日在逸空間開幕。本次展覽是朱新建迄今為止，規模最大的個人手跡展，現場共展出其紙本速寫作品150餘幅，創作時間從80年代起，至2000年以後，全部作品均為首次曝光。本次展覽將持續到11月19日，歡迎大家前來參觀。

 

"Dreams alike—Zhu Xinjian" opened in East Gallery yesterday. This exhibition is Zhu Xinjian's largest personal handwriting exhibition to date. A total of more than 150 paper sketches were exhibited on the site. The creation time was from the 80s to 2000, and all the works were first exposed. This exhibition will last until November 19th and welcome everyone to visit.

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

 

很長時間以來，許多人對手稿一直存在著某種天然的偏見。在“正統”的觀念裏，隻有創作的作品才是真正的藝術品，手稿、素描、速寫都不具備所謂的藝術價值。由於上述原因，就在數年前當南藝美術館舉辦弗朗西斯·培根手稿作品展時候，仍引起了很大的爭議。

 

Peoples were holding some kind of natural prejudice against manuscripts for a long time. From the traditional point of view, only the officially painted works could be considerd as artworks. And manuscripts, sketches and croquis did not contain so-called artistic value. This could explain why the exhibition of Francis Bacon’s manuscripts in AMNUA several years ago was that controversial.

 

 

 

 

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

 

 

 

 

手稿作為藝術的一種表現形式，它有著特殊的價值和意義。人們往往忽視它的存在，但又永遠繞不過。從文藝複興時期，達芬奇創作手稿和草圖到“最後一位畫家”培根在紙上的肆意塗抹，有哪位真正熱愛藝術的人能不被這些手稿所折射出的魅力所吸引呢？而此次“人間如夢——朱新建手跡展”展示出的作品，不僅是對朱新建個人藝術的回顧和深入探討，更是對藝術史層麵的創作方法論的一次回應。

 

However, manuscript as a form of art does have special value and meanings. People usually do not pay much attention to it yet this could not be neglected at all. Whoever with passion for art would not be attracted by Leonardo da Vinci’s drafts or Bacon’s manuscripts? Furthermore, this exhibition is not only a review of Zhu’s attractive works, but also a response to the historical perspective of art creating methodology.

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

本次展覽的作品是從大量的朱新建手跡中遴選出來的，並通過年代、風格、題材分成多個部分，包括人體寫生、戲曲、漫畫、拚接作品、文字手稿、童話故事以及臨摹的線稿，時間貫穿朱新建三十多年的創作生涯，每個部分都用朱新建生前最常用的詞牌名命名，譬如古梅曲、畫堂春、江南雨、相見歡、眼兒媚、憶漢月等，不僅令人浮想。

 

The artworks on spot have been chosen thoroughly and divided into different parts, which were named under the most frequently using peom format by Zhu Xinjian, such as Old Drama Mei, Drizzling Jiangnan, Joyful Meeting and so on. The genres of Zhu’s works vary, covering sketch, comics, handwriting, fairy tales and the creating period spans from 1980’s to 21th century.

 

 

 

 

 

 

古梅曲-8

鉛筆繪於紙上

20.5x15.3cm

 

 

 

畫堂春-7

鉛筆繪於紙上

25.5x18cm

 

 

 

畫堂春-2

鉛筆繪於紙上

25.5x18cm

 

 

 

眼兒媚-18

鉛筆繪於紙上

18x12.5cm

 

 

 

眼兒媚-34

鉛筆繪於紙上

18x13cm

 

 

 

眼兒媚-28

鉛筆繪於紙上

18x13cm

 

 

不得不說，朱新建手稿的麵世為我們打開了一扇窗，他的才情和勤奮一直是公認的，但是如果沒有這批手稿，我們不知道朱新建有多麽的用功和勤奮，也不會理解他對畫畫這件事兒是多麽的真性情。雖然通過整理、出版、發行等一係列環節，致使最後在展廳呈現的作品與原貌有一些細微的偏差，比如為了掃描不得不將整本的素描簿拆散，導致無法看到原始的、連續的樣貌，但每一幅作品的呈現和布置都努力還原朱新建創作時本真的狀態，並試圖梳理出一條隱性的脈絡，讓大家看到一個“大快活”的朱新建。

 

We have to admit that the show-up of Zhu’s manuscripts opens a window for us. We could not better understand how hardworking and diligent he was and how frankly he treated the painting thing. Although there was a little regret, that we would not see the original status of the works, causing by disassembling the integerate sketch book into pieces for scanning, but we still tried our best present the unbroken clue amongst his painting through carefully organising and placing these works. We sincerely wish the audience entering here could feel the real Zhu Xinjian with his alacrity.   

 

 

 

 

 

 

 

陳瑞 Chen Rui

2019.11 

 

 

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

展覽現場，南京逸空間

Exhibition View, Nanjing EAST GALLERY

 

 

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