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看到“四人幫”被公審,這位擠在最前麵的老者臉上露出了發自內心的喜悅。作品真實反映了當時老百姓大快人心的情景。我當年還隻是上海解放日報的通訊員、業餘攝影愛好者,作品很快被《解放日報》采用作為新聞照片刊登出來。
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上個世紀80年代初,在上海寶山海濱抓拍的一名女孩。那時,一代人剛剛經曆過“文革”、進入改革開放初期,對未來的生活感到迷茫,作品中人物的眼神恰恰與此種心態非常吻合,因此作品取名《迷茫》。
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攝於1980年11月2日上海圖書館門前。當年,每當星期天早晨,年輕人在上海圖書館門口排起長隊等候開門,為的是能夠在圖書館得到學習的一席之地。
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作品攝於1980年9月7日上海市工人文化宮閱覽室,1981年入選上海市級影展。
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攝於1980年6月1日上海人民公園,上海黃浦區牙防所的醫務人員在公園免費為少年兒童檢查牙齒的特寫鏡頭。
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1982年4月攝於上海某電話局的自動機房,反映夜班職工挑燈夜戰迎接新一天的情景。作品同年入選上海市級影展。
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茹誌鵑和王安憶……
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畫家陳川和妹妹陳衝。
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陳衝是眾多出國留學的青年電影演員中較早的一位。
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上海寶山滬劇團把吳祖光的代表作《風雪夜歸人》改編成同名滬劇在上海演出,正在上海的吳祖光欣然前往劇場觀看了演出。
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市長公務活動的照片很常見,市長參加大合唱的照片就比較少見了。
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當年王光美。
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上個世紀80年代,上海的群眾攝影如火如荼。
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作品攝於1982年1月6日,上海舉行“滬劇名流回娘家活動”——到上海郊縣鬆江慰問農民,這是“文革”以後上海滬劇界首次“回娘家”活動,是滬劇界一次難得的盛會,當時健在的老藝術家們幾乎全部參加了這次活動。
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上個世紀80年代,年輕人求知的欲望空前高漲,每當星期天早晨,上海圖書館門口排起等候開門的長隊,他們為的是能夠在圖書館得到學習的一席之地。
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拿像機幫別人照相的人那基本上都是認認真真要擺架勢的,又不是數碼照片拍了就能看,得幫人家拍好的!
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