留白
這些年常常覺得累，越是累越是不睡。給自己找了很多事，甚至上班的路上也要在倆耳朵裏塞上耳機聽東聽西，上廁所也拿上手機看東看西，生活中所有的縫隙都被填滿了：腦袋像是二十四小時不得休息的機器，躺在床上要睡覺了還滋滋的轉著。。
突然的厭煩了這種沒有意義的忙，還不如幹脆在每一天留一些時間的空白：回家的路上不要戴耳機，上廁所時不要拿手機，睡前不要聽廣播，每天盡量多一些關上電腦的時間，擠些時間單純的享受什麽也不用做的一點點自由，仿佛餘音繞梁，餘味悠長。
最近偶爾讀一些書，也嚐試和小犇兒一起畫畫。我們倆畫同一個主題，但是畫什麽風格怎麽著色可以按自己的喜好。雖然才畫了幾次，小犇兒就已經有挺大的進步了，而且他也很喜歡媽媽和他一起畫畫。小安看到了，也趕緊拿畫板照貓畫虎也畫上遠山和原野。
今天秋分，透過窗戶看到幹淨的藍天白雲。從今天起，每天黑夜都會多一些。騎車走在路上時心裏想：好像是我的自行車輪帶動的季節輪回，每蹬一圈它就轉一點點，蹬著瞪著，轉過來秋冬，再用力蹬，就轉過來春天和夏天。秋天來的時候，冬就是我的留白；春天來的時候，夏就是我們的留白。努力一些，再展望一些，一張一弛，就這麽定了。
To Autumn
John Keats, 1795 – 1821
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,--
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.
Written September 19, 1819; first published in 1820.
