隴山隴西郡
寧靜純我心 感得事物人 寫樸實清新. 閑書閑話養閑心,閑筆閑寫記閑人;人生無虞懂珍惜，以沫相濡字字真。
Sep 13, 2023 — Kate Winslet says she started out as the “fat kid” with the “wrong f****** shoes on”. The 'Titanic' actress, 47, is now worth $65 million .
completed different: 《欲海情魔》is not translated in
Mildred Pierce is an American period drama television miniseries created by Todd Haynes for HBO. Adapted from James M. Cain's 1941 novel of the same name,[1] It is about the titular heroine (Kate Winslet), a divorcée during the Great Depression struggling to establish a restaurant business while yearning for the respect of her narcissistic daughter (Evan Rachel Wood).[2] The miniseries also features Guy Pearce and Melissa Leo.[1] It is the second adaptation of the novel, after the 1945 film noir produced by Warner Bros. and starring Joan Crawford. Carter Burwell wrote the original score for the miniseries.
Mildred Pierce aired on HBO from March 27 to April 10, 2011, consisting of five episodes. It received a limited audience but gained positive reviews, especially for the performances.[3][4] At the 63rd Primetime Emmy Awards, the series was nominated for nine awards and won two: Outstanding Lead Actress for Winslet and Outstanding Supporting Actor for Pearce.
Synopsis[edit]
Mildred Pierce depicts an overprotective, self-sacrificing mother during the Great Depression who finds herself separated from her husband, opening a restaurant of her own and falling in love with a man, all the while trying to earn her spoiled, narcissistic elder daughter's love and respect.
Cast[edit]
- Kate Winslet as Mildred Pierce
- Guy Pearce as Monty Beragon
- Evan Rachel Wood as Veda Pierce (Dilber Yunus and Sumi Jo as her singing "voice")
- Miriam Shor as Anna
- Melissa Leo as Lucy Gessler
- Morgan Turner as Young Veda Pierce
- James LeGros as Wally Burgan
- Brían F. O'Byrne as Bert Pierce
- Mare Winningham as Ida Corwin
- Hope Davis as Mrs. Forrester
- Quinn McColgan as Moire "Ray" Pierce
- Waltrudis Buck as Mrs. Temple
Filming[edit]
Parts of the miniseries were filmed in three New York locations: Peekskill, Point Lookout and Merrick.[5]
Ratings[edit]
| Episode(s) | Date | Viewers |
|---|---|---|
| Parts 1 & 2 | March 27, 2011 | 1.270 million[13] |
| Part 3 | April 3, 2011 | 0.987 million[14] |
| Parts 4 & 5 | April 10, 2011 | 0.964 million[15] |
Guy Pearce = count Cristo movie
| Mildred Pierce | |
|---|---|
 Promotional poster | |
| Genre | Drama |
| Based on | Mildred Pierce by James M. Cain |
| Screenplay by | |
| Directed by | Todd Haynes |
| Starring | |
| Music by | Carter Burwell |
| Country of origin | United States |
| Original language | English |
| No. of episodes | 5 |
| Production | |
| Producers |
|
| Cinematography | Edward Lachman |
| Editor | Affonso Gonçalves |
| Running time | 58–79 minutes |
| Production companies |
|
| Budget | $20 million |
| Release | |
| Original network | HBO |
| Original release | March 27 – April 10, 2011 |
Noir fiction
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ToolsFrom Wikipedia, the free encyclopedia
The cover of The Killer Inside Me by Jim Thompson, an example of noir fiction.
Noir fiction (or roman noir) is a subgenre of crime fiction.
Definition[edit]
Noir denotes a marked darkness in theme and subject matter, generally featuring a disturbing mixture of sex and violence.[1]
While related to and frequently confused with hardboiled detective fiction—due to the regular adaptation of hardboiled detective stories in the film noir style—the two are not the same.[2] Both regularly take place against a backdrop of systemic and institutional corruption. However, noir (French for "black") fiction is centred on protagonists that are either victims, suspects, or perpetrators—often self-destructive. A typical protagonist of noir fiction is forced to deal with a corrupt legal, political or other system, through which the protagonist is either victimized and/or has to victimize others, leading to a lose-lose situation. Otto Penzler argues that the traditional hardboiled detective story and noir story are "diametrically opposed, with mutually exclusive philosophical premises". While the classic hardboiled private detective—as exemplified by the creations of writers such as Dashiell Hammett, Raymond Chandler and Mickey Spillane—may bend or break the law, this is done by a protagonist with meaningful agency in pursuit of justice, and "although not every one of their cases may have a happy conclusion, the hero nonetheless will emerge with a clean ethical slate."[3][4][5] Noir works, on the other hand,
whether films, novels, or short stories, are existential pessimistic tales about people, including (or especially) protagonists who are seriously flawed and morally questionable. The tone is generally bleak and nihilistic, with characters whose greed, lust, jealousy, and alienation lead them into a downward spiral as their plans and schemes inevitably go awry. ... The machinations of their relentless lust will cause them to lie, steal, cheat, and even kill as they become more and more entangled in a web from which they cannot possibly extricate themselves.[3]
Author and academic Megan Abbott described the two thus:
Hardboiled is distinct from noir, though they’re often used interchangeably. The common argument is that hardboiled novels are an extension of the wild west and pioneer narratives of the 19th century. The wilderness becomes the city, and the hero is usually a somewhat fallen character, a detective or a cop. At the end, everything is a mess, people have died, but the hero has done the right thing or close to it, and order has, to a certain extent, been restored.
Noir is different. In noir, everyone is fallen, and right and wrong are not clearly defined and maybe not even attainable.[6]
Andrew Pepper, in an essay published in The Cambridge Companion to American Crime Fiction, listed the major thematic commonalities of noir fiction as “the corrosive effects of money, the meaninglessness and absurdity of existence, anxieties about masculinity and the bureaucratization of public life, a fascination with the grotesque and a flirtation with, and rejection of, Freudian psychoanalysis.”[7] Eddie Duggan discusses the distinction between hardboiled and noir fiction, claiming that "psychological instability is the key characteristic of the protagonists of noir writing, if not the key characteristic of the noir writers themselves".[8] Similarly, Johnny Temple, founder of Akashic Books, observed that noir fiction tends to be written by "authors whose life circumstances often place them in environments vulnerable to crime."[9]
Origins and later proponents[edit]
Beginning with 1940's The Bride Wore Black, author Cornell Woolrich wrote a series of six unrelated noir novels with "black" in the title, three of which were adapted for film in the 1940s. The word "noir" was used by the Paris-based publisher Gallimard in 1945 as the title for its Série Noire crime fiction imprint. In the English-speaking world, the term originated as a cinematic one—film noir.[2] This term again first appeared in France, in 1946,[3] though it did not enjoy wide use until the 1970s.[10] Film noir refers to cinematic works based on novels of both the hardboiled and noir traditions, exhibiting realism and postwar disillusionment as influenced by German Expressionism.
James M. Cain is regarded as an American pioneer of the hardboiled and noir genres.[8] Other important early American writers in the noir genre include Cornell Woolrich, Jim Thompson, Horace McCoy, and David Goodis. In the 1950s, Fawcett Books' Gold Medal imprint was instrumental in releasing noir and crime novels from such writers as Elliott Chaze, Charles Williams, Gil Brewer, Harry Whittington, Peter Rabe, and Lionel White, as well as Goodis and Thompson. In the 1980s, American publisher Black Lizard would re-release many of these works.[11] Today, publisher Akashic Books features an elaborate line of noir short-story anthologies.[12][13]
Prominent European authors of the genre include Jean-Claude Izzo and Massimo Carlotto. According to Italian publisher Sandro Ferri, "Mediterranean noir" is remarkable for its attention to the duality of Mediterranean life:
The prevailing vision in the novels belonging to the genre known as Mediterranean noir is a pessimistic one. Authors and their literary inventions look upon the cities of the Mediterranean and see places that have been broken, battered, and distorted by crime. There is always a kind of dualism that pervades these works. On one hand, there is the Mediterranean lifestyle—fine wine and fine food, friendship, conviviality, solidarity, blue skies and limpid seas—an art of living brought almost to perfection. On the other hand, violence, corruption, greed, and abuses of power.[14]
Of latter-day novelists who write in both the hardboiled and noir modes, the most prominent is James Ellroy. Calling noir "the most scrutinized offshoot of the hard-boiled school of fiction", he wrote:
The thrill of noir is the rush of moral forfeit and the abandonment to titillation. The social importance of noir is its grounding in the big themes of race, class, gender, and systemic corruption. The overarching and lasting appeal of noir is that it makes doom fun.[3]
《欲海情魔》，經濟大蕭條的浪潮下，她身為全職主婦命太苦了，不僅遭遇了丈夫背叛，幼女夭折，還被嬌寵著長大的長女背刺，搶走了二婚丈夫。
大喬講電影
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68,106 views Sep 6, 2023 一口氣看完係列
#女性 #愛情 #電影解說 #電影 #電影解說 #劇情 #凱特 #狗血 簡介： 該劇根據同名經典黑色小說（noir novel）改編，由奧斯卡影後凱特·溫絲萊特（Kate Winslet）主演。故事發生在美國經濟大蕭條時期，女主人公Mildred Pierce Beragon與失業的丈夫Bert（Brian F. O'Byrne）分了手，靠一份女服務員的工作維持生計。她一方麵想維持自己的社會地位，另一方麵又渴望獨立和自由。在為生活奔忙的同時，她還要想盡一切辦法贏得女兒Veda（Evan Rachel Wood）的愛與尊重。Guy Pearce扮演Mildred的情人，一個富有的花花公子。James LeGros扮演Bert以前的商業夥伴。Melissa Leo扮演Mildred的好友。Morgan Turner扮演童年時的Vada。 【歡迎訂閱】往期熱門視頻傳送門： 一口氣看完《荊棘鳥》，令無數人落淚的世界名著，講述了愛和命運的輪回： • 一口氣看完《荊棘鳥》，令無數人落淚的世界名著，講述了愛和命運的輪回 一口氣看完《都鐸王朝》全集，由紅白玫瑰融合而成的都鐸王朝，經過絕世渣男亨利八世的摧殘後，也從並蒂雙姝雙女王的手中走向結束。 • 一口氣看完《都鐸王朝》全集，由紅白玫瑰融合而成的都鐸王朝，經過絕世渣男亨利... 一口氣看完《凡爾賽》，世界五大宮殿之一的凡爾賽宮，源自國王路易十四的一個夢，根本目的是為了君主集權。 • 一口氣看完《凡爾賽》，世界五大宮殿之一的凡爾賽宮，源自國王路易十四的一個夢... 一口氣看完《白王後》全集，權利頂端的三個女人的鬥爭，爭奇鬥艷又步步為營，比男人更心狠手辣！ • 一口氣看完一整季《白王後》！權利頂端的三個女人的鬥爭，爭奇鬥豔又步步為營，... 灰姑娘冒充富家千金，混進貴族學校上學，憑借著跳芭蕾完美逆襲： • 灰姑娘冒充富家千金，混進貴族學校上學，憑借著跳芭蕾完美逆襲 孕婦躲進超市裏生孩子，整整六個星期，都沒有人發現她的存在： • 孕婦躲進超市裏生孩子，整整六個星期，都沒有人發現她的存在 女兒躲到蛋糕底下，想給媽媽生日驚喜，結果她直接一刀切了下去： • 女兒躲到蛋糕底下，想給媽媽生日驚喜，結果她直接一刀切了下去 四個年輕人打麻將，輪流打出四張西風以後，當場死於非命： • 四個年輕人打麻將，輪流打出四張西風以後，當場死於非命 #電影解說 #電影 #影視解說 #電影解說 #人性片#大喬講電影
Kate Elizabeth Winslet CBE (/?w?nzl?t/;[2] born 5 October 1975) is an English actress.[3] Known for her work in independent films, particularly period dramas, and for her portrayals of headstrong and complicated women, she has received numerous accolades, including an Academy Award, a Grammy Award, two Primetime Emmy Awards, three BAFTA Awards, and five Golden Globe Awards. Time magazine named Winslet one of the 100 most influential people in the world in 2009 and 2021. She was appointed Commander of the Order of the British Empire (CBE) in 2012. Winslet studied drama at the Redroofs Theatre School. Her first screen appearance, at age 15, was in the British television series Dark Season (1991). She made her film debut playing a teenage murderess in Heavenly Creatures (1994), and went on to win a BAFTA Award for playing Marianne Dashwood in Sense and Sensibility (1995). Global stardom followed with her leading role in the epic romance Titanic (1997), which was the highest-grossing film at the time. Winslet then eschewed parts in blockbusters in favour of critically acclaimed period pieces, including Quills (2000) and Iris (2001). The science fiction romance Eternal Sunshine of the Spotless Mind (2004), in which Winslet was cast against type in a contemporary setting, proved to be a turning point in her career, and she gained further recognition for her performances in Finding Neverland (2004), Little Children (2006), Revolutionary Road (2008), and The Reader (2008). For playing a former Nazi camp guard in the latter, she won the BAFTA Award and the Academy Award for Best Actress. Winslet's portrayal of Joanna Hoffman in the biopic Steve Jobs (2015) won her another BAFTA Award, and she received two Primetime Emmy Awards for her performances in the HBO miniseries Mildred Pierce (2011) and Mare of Easttown (2021). For her narration of a short story in the audiobook Listen to the Storyteller (1999), Winslet won a Grammy Award. She performed the song "What If" for the soundtrack of her film Christmas Carol: The Movie (2001). A co-founder of the charity Golden Hat Foundation, which aims to create autism awareness, Winslet has written a book on the topic. Divorced from film directors Jim Threapleton and Sam Mendes, Winslet has been married to businessman Edward Abel Smith[a] since 2012. She has a child from each marriage. Kate Elizabeth Winslet was born on 5 October 1975, in Reading, Berkshire, to Sally Anne (née Bridges) and Roger John Winslet.[4][5] She is of British descent, and also has Irish ancestry on her father's side and Swedish ancestry on her mother's side.[6] Her mother worked as a nanny and waitress, and her father, a struggling actor, took labouring jobs to support the family.[7][8] Her maternal grandparents were both actors and ran the Reading Repertory Theatre Company.[9] Winslet has two sisters, Anna and Beth, both of whom are actresses, and a younger brother, Joss.[7] The family had limited financial means; they lived on free meal benefits and were supported by a charity named the Actors' Charitable Trust.[9] When Winslet was ten, her father severely injured his foot in a boating accident and found it harder to work, leading to more financial hardships for the family.[7] Winslet has said her parents always made them feel cared for and that they were a supportive family. Winslet was among 175 girls to audition for Peter Jackson's psychological drama Heavenly Creatures (1994), and was cast after impressing Jackson with the intensity she brought to her part.[29] The New Zealand-based production is based on the Parker–Hulme murder case of 1954, in which Winslet played Juliet Hulme, a teenager who assists her friend, Pauline Parker (played by Melanie Lynskey), in the murder of Pauline's mother. She prepared for the part by reading the transcripts of the girls' murder trial, their letters and diaries, and interacted with their acquaintances.[30] She has said she learnt tremendously from the job.[9] Jackson filmed in the real murder locations, and the experience left Winslet traumatised.[15] She found it difficult to detach herself from her character, and said that after returning home, she often cried.[30] The film was a critical breakthrough for Winslet;[31][32] Desson Thomson, a reviewer for The Washington Post, called her "a bright-eyed ball of fire, lighting up every scene she's in".[33] Winslet recorded "Juliet's Aria" for the film's soundtrack.[34] Also that year, she appeared as Geraldine Barclay, a prospective secretary, in the Royal Exchange Theatre production of Joe Orton's farce What the Butler Saw.[35] While promoting Heavenly Creatures in Los Angeles, Winslet auditioned for the minor part of Lucy Steele for a 1995 film adaptation of Jane Austen's novel Sense and Sensibility, written by and starring Emma Thompson. Impressed by her reading,
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