Food for the soul---貝多芬第29號鋼琴奏鳴曲第三樂章

連聽幾遍裏赫特大師彈奏的第三樂章後,覺得還不過癮.盡管他的sonority非常出色,很具沉重和深刻感, 但少了一些momentum.

這裏有另兩位大師的彈奏:Walter Gieseking和Emily Gilels.
I prefer these two interpretations. Both play with a stronger sense of direction. And express sadness without drowning in thick mud; emotionally more compelling and convincing.
These two performances make me appreciate further the emotional depth of this movement.

From wikipedia:
The sonata-form slow movement, centred on F-sharp minor, has been called, among other things, a "mausoleum of collective sorrow" and is notable for its ethereality and great length as a slow movement. Paul Bekker called the movement "the apotheosis of pain, of that deep sorrow for which there is no remedy... the immeasurable stillness of utter woe".Wilhelm Kempff described it as "the most magnificent monologue Beethoven ever wrote".




再加一個Kempff大師的版本.他闡述的層次清楚轉承天衣無縫.
In the midst of unspeakable sadness, a ray of hope emerges. But then doubt sets in just as quickly.
Only after further struggle, the hope theme is allowed to develop.
The entanglement between despair and longing. Kempff's narration is just masterful.
I am convinced that this movement foreshadows the arrival of Op 111, intentionally.
聽完一圈,心裏釋然.



再追加一個英國大師Solomon Cutney的版本. 他的老師是Clara Schumann的學生.大家都用Soloman稱呼他. 他的闡述是娓娓道來,化了二十多分鍾,是幾個版本中最長的.即使如此,他沒有lose any momentum.
所以音樂的momentum和彈得快慢沒關係,和彈奏者的方向感更具關係.
點擊這裏: Solomon版本