采訪年輕的委維瑞拉-阿根廷鋼琴家Sergio Tiempo

Sergio Tiempo說話那麽哲學家似的，他說：音樂對他來說就是一個遊戲，屬於他自己的遊戲，在音樂會的表演簡直就像是在觀眾麵前作自我心理分析 Psychanalyse，  他年紀那麽輕，看事那麽透。

他談了職業，愛情，他甚至說每天我們都在麵臨選擇，就像選擇愛一樣，我們的選那位我們天天想要愛的，盡管很可能總是哪一位人

現在我越來越覺得每個人的獨立思考是多麽重要和有趣啊，很多時候我們還沒想就下結論了，



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Sergio Tiempo (born February 24, 1972) is a Venezuelan-Argentine classical pianist. He has studied under some of the best known pianists.

Born in Caracas, Venezuela, Sergio Tiempo began playing the piano as an infant. His first teacher was his mother, Lyl Tiempo, who began teaching him before he turned three. He achieved early acclaim by appearing on Argentine televisions when he was four years old and gave concerts in London and France at age seven.

In 1980, at age eight, he received special recognition at the Ealing Music Festival. In 1986, he was awarded the Alex De Vries prize. That same year, a live recording of his performance at his Concertgebouw recital was released.

His list of teachers has included Tessa Nicholson, Maria Curcio, Pierre Sancan, Michel Beroff, Jacques Detiege, Alan Weiss and Nelson Freire. He has also attended the International Piano Academy Lake Como, where he worked with Dimitri Bashkirov, Fou Ts'ong, Murray Perahia and Dietrich Fischer-Dieskau. He has also been taught by and performed with Martha Argerich. Argerich remains one of his staunchest supporters.

Since his emergence in 1986, Tiempo has performed and recorded regularly all over the world. His tours have included frequent trips to Japan, recitals in many of the greatest European concert halls, and performances in numerous North American cities. He frequently participates in music festivals, including the Progetto Martha Argerich, where he performs every year. He also performs regularly with his sister, pianist Karin Lechner. Among his most significant chamber-music collaborations are recordings and performances with the cellist Mischa Maisky, whose daughter, a concert pianist, has studied piano with Tiempo's mother.

He has recorded several collections of classical music, and has received particular praise for his interpretation of the Gaspard de la Nuit by Ravel and his versions of the Chopin Preludes