盧岩回憶錄
本人的回憶錄，宗教文化
圖15.3.3-35和36顯示墨西哥（又名阿茲特蘭，特拉洛克，金童，亞當）從地獄裏飛出來了。圖36是用左上角的房子來表示墨西哥是從地下出來的。
Figures 15.3.3-35 and 36 show Mexico (also known as Aztlan, Tlaloc, Gold Boy, and Adam) flying out of hell. Figure 36 uses the house in the upper left corner to represent Mexico coming out of the ground.
1 人身果 Human Body Fruit
圖35表示，墨西哥砍下了綠咬鵑的頭，使用綠咬鵑的身體，他飛出了地獄，翱翔於天空。這隻綠咬鵑代表靈龍神（俗稱羽蛇神Quetzalcoatl），亦作白藏 （White Tezcatlipoca）。靈龍神的本質是思維機製中的 “隨念自我”（參見15.1節），歐洲人稱作亞伯（Abel），日耳曼人稱作馬格尼（Magni），歐洲邪教稱作法人（Jurist，Brahmin），印度人稱作婆羅門（Brahmin），中華文化中稱作大力神，葫蘆娃，福。此法（即亞伯，靈龍）就是神身天（如圖8）的身體狀態，力量強大，塵世間無有能敵。
Figure 35 shows that Mexico (aka. Gold Boy, Tlaloc) cut off the head of a Quetzal and used the body of the Quetzal to fly out of hell and soar into the sky. This Quetzal represents Quetzalcoatl (commonly known as the Feathered Serpent God), also known as White Tezcatlipoca. The essence of Quetzalcoatl is the "along thinks ego" in Mind Mechanism (see Section 15.1). Europeans call it Abel, Germans call it Magni, European heretical religion call it Jurist (Brahmin), Indians call it Brahmin, and Chinese culture calls it Great Strength God, Gourd Children, Fortune. This law (i.e., Abel, Quetzalcoatl) is powerful and there is no sentient in the mundane world who can defeat it.
墨西哥是如何使用靈龍的？靈龍所處的身心狀態和三歲之前的嬰兒類似，所以佛教稱墨西哥記憶中他和翠玉女訂婚的事為人身果。前文墨西哥獲得了宿命通，就吃到了人身果（即三歲之前的記憶），所以他的病情有了大幅度的好轉。這顆人身果在圖36中是用係在墨西哥眾神腳踝上的紅繩來表現的。那紅繩是三十幾年前，青鬆石王子為金童和玉女訂婚時係下的。同時讀者也可以這樣理解，墨西哥和翠玉女的婚姻紐帶是靈龍，是斬不斷的。
How does Mexico use Quetzalcoatl? Quetzalcoatl's physical and mental state is like that of an infant under three years old, so Buddhism refers to Mexico's memory of his engagement to Chalchiuhtlicue as the “fruit of human body.” As mentioned earlier, Mexico obtained the Fate Through and thus attained the fruit of human boy (i.e., the memories before age of three), resulting in a significant improvement in his condition. This fruit of human body is depicted in Figure 36 as a red string tied to the ankles of Mexico's gods. That red string was tied by the Turquoise Prince over thirty years ago when he arranged the engagement between the Gold Boy and the Jade Girl. Readers may also interpret this to mean that the marital bond between Mexico and Chalchiuhtlicue is Quetzalcoatl, an unbreakable connection.
圖35顯示，墨西哥殺了靈龍，而且和靈龍融合了。這表示靈龍（即亞伯）是可以被殺死的。墨西哥身上的圖案代表三昧真火，表示他已經是 “八大金剛”（參見17.3.2《忍渡》）了。三昧真火分別是地獄之火（如圖22），神身天火（如圖8），和四禪天火（如圖5）。
Figure 35 shows that Mexico killed Quetzalcoatl and merged with it. This means that Quetzalcoatl (i.e. Abel, Magni) can be killed. The pattern on Mexico's body represents the Samadhi True Fires, indicating that he has become the "Eight Philosopher Stone Giants" (see 17.3.2 "Countenance Ark"). The Samadhi True Fires are the Fire of Hell (as shown in Figure 22), the God Fire of the Godly Body Sky (as shown in Figure 8), and the Fourth Meditation Sky Fire (as shown in Figure 5).
墨西哥文化不讚成修行的人殺死靈龍，但是認為如果真的有人抓住了靈龍（法人，婆羅門），可以拔下底下的幾根毛留作光輝事跡的紀念，然後把他或她釋放了。讀者當知，雖然拔靈龍（法人，婆羅門）底下的毛不違反上帝或佛的律法，但如果你被塵世間的警察抓住了，那是另外一回事。
Mexican culture does not approve of Godly Migrators killing Quetzalcoatl, but it does hold that if someone were to capture a Quetzalcoatl (a Jurist, a Brahmin), they could pluck a few hairs from its underside as a memento of their glorious deed and then release him or her. Readers should be aware that while plucking hairs from the underside of the Quetzalcoatl (Jurist, Brahmin) does not violate the laws of God or Buddha, if you are caught by mundane police, that is another matter entirely.
2 墨西哥的計劃 Mexico's Plans
插圖36和37中，墨西哥被表現為四個人，循著 “法跡” 在遷徙去納瓦特爾國的首都的路上。因為故事著重講述墨西哥的心理曆程，所以講故事的人說他們在遷徙的途中。圖中的腳印在佛教（亦作薩滿教）中被稱為“法跡”，就是傳說故事，廟宇等古人留下來的痕跡。圖36A代表當時現時狀態的墨西哥（即金童）；後麵三個是墨西哥的靈魂，表示著他的三個不同方麵。這四個人分別肩負著不同的任務。他們的頭頂顯示36B和36D肩負著第一級和第二級的任務。36A和36C肩負著第三級任務。
In illustrations 36 and 37, Mexico is represented as four people following the "Juristic Trail" on their way to the capital of the Nahuatl country. Because the story focuses on the psychological journey of Mexico, the storyteller calls them on the way of migration. The footprints in the picture are called "Juristic Trail" in Buddhism (aka. Shamanism), which are traces left by ancient people such as legends, temples, etc. Figure 36A represents Mexico in his present state (i.e. the Golden Boy); the following three are the Soul of Mexico, representing three different aspects of him. These four people are responsible for different tasks. Above their heads, it is shown that 36B and 36D are responsible for the first and second level tasks. 36A and 36C are responsible for the third level task.
2.1
圖36B中，墨西哥的左手拿著個太陽，表示他回國的最重要目的是把青鬆石王子是太陽神的消息告訴給墨西哥人，並把它作為太陽神發射或懸掛到墨西哥的上空。他右手握著個小樹苗，表示他要把這個新文明幼苗栽種在墨西哥的土地上。那棵小樹苗代表什麽？就是本次青鬆石王子造人的故事，這樣的一個故事就是一個宗教，一種文明。
In Figure 36B, Mexico holds a sun in his left hand, indicating that his most important purpose in returning home is to tell the Mexicans that the Turquoise Prince is the Sun God, and to launch or hang him as the Sun God in the sky above Mexico. He holds a sapling in his right hand, indicating that he wants to plant this new civilization seedling in the land of Mexico. What does the sapling represent? It is the story of Turquoise Prince creating humans. Such a story is a religion and a civilization.
2.2
圖36D顯示著墨西哥回國的第二個目的，就是把青鬆石王子造人的故事編輯成為《墨西哥法典》，利樂眾生千年萬年。這個墨西哥穿著小烏龜殼。烏龜和大茶壺是妓院中男傭的別名。他穿著烏龜殼表示他將不計較翠玉女生活中的性醜聞。
Figure 36D shows that Mexico's second purpose of returning home is to compile the story of Turquoise Prince creating humans into Mexican Codex, which will benefit and please all sentient beings for thousands of years. This Mexico is wearing a small turtle shell. The turtle and the big teapot are aliases for male servants in brothels. He wears a turtle shell to show that he will not care about the sexual scandal in the life of Chalchiuhtlicue.
2.3
圖36A顯示著墨西哥回國的第三個目的，他要把青鬆石王子殘存的肢體送回到他的墳。如圖36A，墨西哥背著的就是青鬆石王子殘存的肢體。讀者可能會問，墨西哥隻是聽說了青鬆石王子過世的消息，就病倒了，他是從哪裏弄來的青鬆石王子的身體？
Figure 36A shows the third purpose of Mexico's return, he wants to return the remaining limbs of the Turquoise Prince to his grave. As shown in Figure 36A, Mexico is carrying the remaining limbs of Turquoise Prince. Readers may ask, Mexico just heard the news of Turquoise Prince's death and fell ill, where did he get the body of Turquoise Prince?
墨西哥得知青鬆石王子過世的消息後，他的體內發生了爆炸，然後就全身是病，就好像是青鬆石王子的靈魂進入了他的身體。所以，墨西哥感覺他身上的病就是青鬆石王子。其中的道理是青鬆石王子的後半輩子與墨西哥有緊密的聯係而他卻從來沒見過青鬆石王子，全部的感情都依附於一團迷霧。神識（即無意識）隻接受現量，青鬆石王子過世了，不再是現量了，謎霧散了。墨西哥對青鬆石王子的情感失去了依附，所以產生了神精粗亂的大悸動（大爆炸），轉而轉變成為了一部分疾病。如果墨西哥能夠看見青鬆石王子的墳，更新青鬆石王子的形象，他的病就會得到部分緩解。
When Mexico learned that Turquoise Prince had passed away, an explosion occurred inside him, and then he became sick all over, as if the soul of Turquoise Prince had entered his body. Therefore, Mexico felt that his illnesses were Turquoise Prince. The reason for this is that the Turquoise Prince had a close relationship with Mexico for the rest of his life, but Mexico had never seen Turquoise Prince, and all his emotions were attached to a mystery fog. God-sense (i.e., the unconscious) only accepts present quantity, and Turquoise Prince had passed away, so he was no longer the present quantity, and the fog of mystery was scattered. Mexico's emotions for Turquoise Prince had lost their attachment, so he had a great mental turmoil (big explosion), which turned into part of the disease. If Mexico could see the Turquoise Prince's grave and renew the image of the Turquoise Prince, his illness would be partially relieved.
圖36C中，墨西哥左手拿著一支裝滿了黑暗目的的愛神之箭，右手握著個小樹苗，表示他要把青鬆石王子是上帝的消息告訴給翠玉女。讀者可能會有疑問，七百年前的墨西哥人知道希臘的愛神嗎？編者我看到的墨西哥古畫，他們完全吸收了古代日耳曼文化，希臘文化，蘇美爾文化，和中華文化的精華。
In Figure 36C, Mexico holds an arrow of Cupid filled with dark intent in his left hand and a sapling in his right hand, indicating that he wants to tell Chalchiuhtlicue that Turquoise Prince is God. Readers may wonder, did Mexicans know the Greek god of love seven hundred years ago? The ancient Mexican paintings editor I have seen have completely absorbed the essence of ancient Germanic culture, Greek culture, Sumerian culture, and Chinese culture.
