一、影片背景與曆史事件 ?真實曆史原型? 影片改編自1942年浙江舟山東極島海域的裏斯本丸沉沒事件:一艘載有1800餘名英軍戰俘的日本貨輪被美軍魚雷擊中,日軍封鎖船艙導致戰俘大量溺亡。東極島漁民冒死駕船營救,最終救出384名戰俘,並在日軍搜捕中保護3名英國人。 ?人道主義精神?:漁民行動源於海上有難,必救的祖訓,展現跨越國界的樸素正義感。 ?創作立意? 導演管虎旨在通過影片向世界傳遞中國在反法西斯戰爭中的貢獻,並警示戰爭殘酷性。影片以家為情感基點,探討人性在極端環境下的光輝。 二、劇情與人物 ?雙線敘事結構? ?海島線?:日軍侵占東極島,漁民生活被暴力摧毀(如倪大紅飾演的族長吳老大死於日軍槍口)。 ?沉船線?:裏斯本丸號戰俘艙內英軍的絕望掙紮。 兩條線通過吳磊飾演的漁民阿蕩救起英軍戰俘紐曼(威廉富蘭克林米勒 飾)交匯,觸發後續救援行動。 ?角色成長與主題? ?阿蕩(吳磊 飾)??:單純善良的青年,因救戰俘引火燒身,最終犧牲於沉船。 ?阿贔(朱一龍 飾)??:從自私海盜蛻變為反抗英雄,為替弟弟阿蕩報仇,帶領漁民出海營救。 ?阿花(倪妮 飾)??:島上唯一懂英語的衛生員,打破女子不下海祖訓,統籌百船救援行動。 ?群像覺醒?:保長李元興(楊皓宇 飾)、教書先生陳先生(陳明昊 飾)等角色從忍讓到奮起反抗,完成精神升華。 三、製作亮點與技術創新 ?實景與特效結合? 1:1還原裏斯本丸號分段場景(側舷、戰俘艙等),傾斜船體實拍增強壓迫感。 啟用亞洲最大恒溫水棚(9000㎡),模擬200種海浪效果,6米深水區完成高危水下搏鬥戲。 ?演員突破? 朱一龍、吳磊接受閉氣潛水特訓,動態閉氣達4.5分鍾,水下動作戲均親自完成。 演員造型粗糲寫實,小麥膚色與肌肉線條貼合漁民形象。 ?視覺奇觀? 死亡虹吸場景:16台快艇發動機構造深海漩渦,呈現戰俘被卷入水底的窒息感。 水下長鏡頭被譽國產水下攝影新標杆。 如有版權問題,請與本頻道聯係。 I. Film Background and Historical Events? ?True Historical Prototype? The film is adapted from the 1942 Lisbon Maru Incident in the waters around Dongji Island, Zhoushan, Zhejiang. A Japanese freighter carrying over 1,800 British POWs was struck by an American torpedo. The Japanese military sealed the ships holds, leading to the mass drowning of the prisoners. Fishermen from Dongji Island risked their lives to sail out and rescue them, ultimately saving 384 POWs and protecting three British soldiers from subsequent Japanese searches. ?Spirit of Humanitarianism:?? The fishermens actions were guided by the ancestral teaching, Those in peril at sea must be rescued, demonstrating a simple, cross-border sense of justice. ?Creative Intent? Director Guan Hu aimed to use the film to communicate Chinas contribution to the Anti-Fascist War to the world and to warn of the horrors of war. Using home as an emotional anchor point, the film explores the brilliance of human nature under extreme circumstances. ?II. Plot and Characters? ?Dual Narrative Structure? ?Island Storyline:?? The Japanese army occupies Dongji Island, violently destroying the fishermens way of life (e.g., the clan leader Wu Laoda, played by Ni Dahong, is killed by Japanese soldiers). ?Shipwreck Storyline:?? The desperate struggle of the British soldiers trapped in the POW hold of the Lisbon Maru. These two narrative lines converge when ADang, a fisherman played by Wu Lei, rescues British POW Newman (played by William Franklin Miller), triggering the subsequent rescue operation. ?III. Production Highlights and Technical Innovation? ?Combination of Practical Effects and CGI? Scenes of the Lisbon Maru, including the side hull and POW holds, were recreated in 1:1 scale. The tilted ship set was built for practical filming to enhance the sense of壓迫感 (oppression). Asias largest constant-temperature water tank (9,000 sqm) was used, simulating 200 different wave effects. High-risk underwater fight scenes were completed in the 6-meter deep section. ?Actor Breakthroughs? Zhu Yilong and Wu Lei underwent specialized free-diving training, achieving dynamic apnea times of up to 4.5 minutes. They performed all their own underwater action sequences. The actors appearances are rugged and realistic, with tanned skin and muscular physiques fitting for fishermen. ?Visual Spectacle? The death siphon scene: 16 speedboat engines were used to create a deep-sea vortex, conveying the suffocating feeling of POWs being dragged underwater. The underwater long take is hailed as a new benchmark for domestic underwater cinematography.