簡介
AT THE BALLET with Anne Hathaway & Daisy Ridley
(From A Chorus Line)
《A Chorus Line》講述了一群滿懷希望的表演者參加百老匯演出試鏡的故事。 第一輪試鏡結束後，導演兼編舞要求每位試鏡者談談自己。他們分享了自己的個人經曆、夢想和弱點。 該劇將帶您踏上他們的人生旅程，揭示塑造他們為藝術抱負的犧牲、激情和奮鬥。 《A Chorus Line》歌頌了藝術家們的韌性以及他們對聚光燈的不屈奉獻。《A Chorus Line》有趣、令人心碎，而且誠實得令人耳目一新。
錄音花絮視頻欣賞：At the Ballet
LOVING YOU with Patrick Wilson
(From Passion)
1863年，在意大利的一個偏遠前哨基地，喬治·巴切蒂上尉和他美麗的情人克拉拉通過信件建立了熱情的關係，但隻有在喬治離開基地時能有短暫相聚。 喬治在前哨基地時，他遇到了福斯卡 - 他的上級軍官的體弱多病、長相醜陋的表妹。 福斯卡癡迷於喬治並深深地愛上了他。 喬治拒絕了她的示好，但又離不開她，並發現自己理解並欣賞她對他的忠誠。 雖然他確實愛克拉拉，但她在米蘭，並且嫁給了另一個男人。 喬治意識到他必須做出選擇，決定他一生想要擁有什麽樣的愛情。 他會繼續書信中的幸福，並偶爾與美麗的克拉拉重聚嗎？ 或者他會屈服於病態而癡迷的福斯卡的無拘無束的激情嗎？
錄音花絮視頻欣賞：Loving You
WHO CAN I TURN TO(WHEN NOBODY NEEDS ME) with Anthony Newley
(From The Road of the Greasepaint - The Smell of the Crowd)
這部寓言式的情節更像是音樂廳的作品，而不是音樂劇，探討了20世紀60年代英國社會上層階級和下層階級之間的現狀。 兩個主角是Sir和Cocky。 由於Sir總是改變生活的遊戲規則，受壓迫的年輕Cocky總是吃虧。 Cocky試圖在遊戲中擊敗Sir，但Sir兩次都擊敗了他。
當Cocky看到一個黑人新角色在他和Sir的背後贏得了比賽時，他受到了啟發。 通過無視規則，Cocky成功獲勝，但他和Sir都無法在沒有對方的情況下運作。
錄音花絮視頻欣賞：Who Can I Turn To (When Nobody Needs Me)
Any Moment Now with Hugh Jackman
(From Smile)
《Smile》帶您了解20世紀80年代加州青少年選美比賽的幕後故事。 故事講述了參賽者為大型賽事做準備的故事，每個人都有自己的夢想和不安全感。 隨著壓力的增加和友誼的考驗，該劇深入探討了青少年生活的複雜性和對完美的追求。 《Smile》探討了人們在尋找自我意識的同時，為了適應社會標準而付出的努力。
錄音花絮視頻欣賞：Any Moment Now
THE BEST THING THAT EVER HAS HAPPENED with Alec Baldwin
(From Road Show)
《Road Show》講述了19世紀末美國男男女女願意冒險去實現他們的美國夢的故事。 該劇特別關注艾迪生·米茲納和威爾遜·米茲納兩兄弟，他們不斷尋找下一條致富之路。 他們在阿拉斯加的淘金熱和佛羅裏達州的土地繁榮等機會中全力以赴。 在整部劇中，兄弟倆不斷地重塑自己，代表著美國“反彈”到下一個偉大機遇的能力。
錄音花絮視頻欣賞：The Best Thing That Ever Has Happened
ANYTHING YOU CAN DO with Melissa McCarthy
(From Annie Get Your Gun)
當水牛比爾的《狂野西部》演出來到安妮家鄉時，她正好參與了其中的射擊比賽並贏得冠軍，於是被邀請加入《狂野西部》演出。她對演出的當家小生弗蘭克·巴特勒一見衷情，於是毫不猶豫地接受邀請，盡管她根本不懂演出行業。弗蘭克和整個劇團都告訴她，演出行業是無與倫比的。在和安妮一起工作的過程中，盡管弗蘭克不由自主愛上了假小子般的安妮，卻還是一直表示他的夢中情人應該是穿絲綢長裙，抹迷人香水的淑女。無奈的安妮隻能感慨“不能用槍追男人”，這是一首粗獷天真的喜劇歌曲。當安妮通過演出成為明星後，弗蘭克的虛榮心受到了打擊，因此十分嫉妒安妮。於是他離開了《狂野西部》演出和安妮，加入了《波尼印第安人比爾秀》。
水牛比爾帶著成名了的安妮巡演歐洲，但是演出因為遭遇了由弗蘭克主演的《波尼印第安人比爾秀》擠兌而麵臨歇業。成為明星的安妮現在已經學會打扮得更加賢淑美麗，但仍然對弗蘭克一往情深。他們在一次大型接待會上相遇，互訴衷腸。安妮決定出售她所有射擊金牌，退出江湖。但看到那麽多金牌，弗蘭克再次心裏不平，於是兩人決定最後進行一次射擊比賽。為了安慰弗蘭克，安妮有意輸掉比賽（1999重排版兩人戰平），兩人終成眷屬。
錄音花絮視頻欣賞：Anything You Can Do
I'LL BE SEEING YOU/I'VE GROWN ACCUSTOMED TO HER FACE with Chris Pine
(From Right This Way/My Fair Lady)
語音學家希金斯和朋友匹克林上校打賭用街頭賣花女伊莉莎作實驗，通過六個月改變她的語言和外表，使之成為仿佛出身名門的貴族小姐。伊莉莎通過一係列訓練，果然完全脫離了出身貧寒、言行粗俗的氛圍，在出入任何高貴場合的時候都能引起萬眾矚目。然而，希金斯是個獨身主義者，不可能與她結婚，而伊莉莎既成不了真正的公爵夫人，又不能再回菜市場賣花，遂被置於一種不上不下的尷尬境地。
錄音花絮視頻欣賞：I'll Be Seeing You/I've Grown Accustomed to Her Face
PURE IMAGINATION with Seth MacFarlane
(From Charkie and the Chocolate Factory)
世界最大的巧克力工廠的主人威利·旺卡先生意欲為自己的工廠尋找一位接班人，於是在全球的旺卡巧克力包裝紙中放入了五張金獎券。獲得獎券的五位幸運兒童可以偕同自己的家人參觀巧克力工廠。在參觀的過程中，五個孩子之間展開激烈的競爭，最後的勝利者將有機會接管威利·旺卡先生龐大的巧克力工廠。獎券的獲得者是五個來自不同環境的個性迥異的兒童。前四位獎券得主在性格上都有一定的缺陷，他們或任性自私，或貪婪無禮，所以在旅途中，每過一個地方，都有一個孩子慘遭淘汰並受到相應的懲罰。最後一張獎券的獲得者小查理來自一個貧困的家庭，看起來一副營養不良的樣子，但他瘦弱的外表下卻隱藏著一顆善良堅強的心，他勇敢地麵對生活中的各種逆境。在參觀旺卡巧克力工廠的奇幻旅程中，他以同樣的勇氣和智慧麵對各種挑戰，順利地通過了威利·旺卡先生的各種考驗，成為巧克力工廠的繼承人，從此和家人過上了幸福的生活。
錄音花絮視頻欣賞：Pure Imagination
TAKE ME TO THE WORLD with Antonio Banderas
(From Evening Primrose)
年輕的詩人查爾斯因為對現實世界的刻薄和灰暗感到失望，便決定躲在一間百貨公司裏過著晝伏夜行的生活。然而他卻發現他不是第一人，在裏麵他發現整個逃避世界的社會。他們由文地太太領導，並有自己一套規則，而且絕不容許人們回去真正世界，因為這會讓他們的安全受威脅。這個社會裏最年輕的一員埃娜告訴查爾斯，如果任何人強行出去的話，文地太太便會叫來停屍間的暗之使者來，把人變作百貨公司的人體模型。查爾斯跟埃娜交談，原來她六歲起因為迷路被文地太太收養，並成為她的貼身女仆。
查爾斯對其遭遇表同情，埃娜卻不領情，因為她有回憶，而她並不需要別人可憐。其他人都反對查爾斯跟埃娜交往，因為她是一個異類 - 她不是自願為了逃避世界才進來的。查爾斯卻沒有理會，教埃娜作詩寫字，二人漸生情愫。到最後他們還決定要違抗文地太太偷走出去，可惜消息走漏，文地太太和暗之使者相繼追捕二人。第二天，一對年輕情侶來到百貨公司櫥窗外，發現一對打扮成新郎新娘的人體模型。它們的麵貌跟查爾斯和埃娜一模一樣。
錄音花絮視頻欣賞：Take Me to the World
CLIMB EV'RY MOUTAIN with Jamie Foxx
(From The Sound of Music)
該劇根據馮·特拉普家族歌手的真實故事改編，講述了在第二次世界大戰的恐怖中成長和希望的個人故事。 《音樂之聲》講述了年輕的天主教徒瑪麗亞·雷納的故事，她的自由精神難以融入農伯格修道院的規章製度。 受女修道院院長的委托，瑪麗亞擔任七個失去母親的孩子的家庭教師，她將馮·特拉普家從一個充滿嚴酷規章製度的地方變成了一個充滿歡樂、笑聲和音樂的地方。 在此過程中，瑪麗亞贏得了所有七個孩子的心，以及他們的鰥夫父親馮·特拉普上尉。 在女修道院院長的祝福下，讓孩子們高興的是，瑪麗亞聽從了自己的心意，瑪麗亞和上尉結婚了。 蜜月回國後，瑪麗亞和上尉得知他們心愛的奧地利已被納粹占領，退休的上尉被要求立即到納粹海軍服役。 當納粹分子出現在他們家門口準備帶走馮·特拉普上尉時，一場家庭唱歌活動（由他們的朋友麥克斯巧妙地操縱）在舉行，這為一家人贏得了僥幸逃脫的時間。 他們的奧地利信念迫使上尉瑪麗亞和孩子們翻越瑞士的山脈逃到安全的地方，牢記女修道院院長的話：“攀登每一座山……直到找到你的夢想。”
錄音花絮視頻欣賞：Climb Ev'ry Mountain
(以上內容摘自互聯網)
♦ ♦ ♦
♦ ♦ ♦
歌詞
1. At the Ballet
[Daisy Ridley/Bebe]
I really need this job
[Barbra Streisand/Sheila]
Not more than I do. Believe me. Hi, I'm Shelia. What's your name?
[Bebe]
Bebe. And this is Maggie
[Sheila]
Hi, Maggie
[Anne Hathaway/Maggie]
Hi
[Sheila]
Hi
[Maggie]
Gosh, there's a lot of people here
[Sheila]
Yeah, it's a cattle call
[Bebe]
But you'll get the job for sure, Maggie. You're so pretty
[Maggie]
Haha! Oh believe me looks are overrated. Just a different set of problems
[Auditioner]
Okay ladies. Line up. We'll start with you. You. Number 24
[Sheila]
My name is Sheila. What do you wanna know?
[Auditioner]
Why don't you tell me why you're in this business?
[Sheila]
I wanted to be a ballet dancer.
What else? The light, by the way, is a very funny color. Do you have anything softer?
[Auditioner]
Don't--don't worry about the lights
[Sheila]
It's very harsh
[Auditioner]
So tell me, do you always come on like this?
[Sheila]
No. Sometimes I'm aggressive
[Bebe and Maggie laugh]
[Auditioner]
Just--just bring it down
[Sheila]
Bring what down?
[Auditioner]
Your attitude, miss
[Sheila]
It's Sheila
[Auditioner]
Okay, Sheila. Why don't you tell me about your parents
[Sheila]
My parents?
[Auditioner]
Yeah
[Sheila]
Well, my mother was a ballerina until my father made her quit
[Auditioner]
Really?
[Sheila]
Really
[Auditioner]
Tell me more
[Sheila]
Tell you more?
[Sheila]
Daddy always thought that he married beneath him
That's what he said, that's what he said
When he proposed he informed my mother
He was probably her very last chance
And though she was twenty-two
Though she was twenty-two
Though she was twenty-two
She married him
Life with my dad wasn't ever a picnic
More like a "come as you are."
When I was five I remember my mother
Dug earrings out of the car
I knew they weren't hers, but it wasn't
Something you'd want to discuss
He wasn't warm
Well, not to her
Well, not to us
Come to think of it
But
Everything was beautiful at the ballet
Graceful men lift lovely girls in white
Yes
Everything was beautiful at the ballet
Hey!
I was happy at the ballet
That's when I started class
[Together]
Up a steep and very narrow stairway
To the voice like a metronome
Up a steep and very narrow stairway
[Sheila]
It wasn't paradise
[Bebe]
It wasn't paradise
[Maggie]
It wasn't paradise
[Together]
But it was home
[Auditioner]
Okay Number Eighteen
[Bebe]
I'm Bebe, sir
[Auditioner]
And what's your story?
[Bebe]
I don't know what you mean
[Auditioner]
Okay. On the subject of mothers what about yours?
[Bebe]
My mother?
[Auditioner]
Yes, yours
[Bebe]
She lied to me
[Auditioner]
She lied to you?
[Bebe]
Mother always said I'd be very attractive
When I grew up, when I grew up
"Diff'rent," she said, "With a special something
And a very, very personal flair."
And though I was eight or nine
Though I was eight or nine
Though I was eight or nine
I hated her
Now
"Diff'rent" is nice, but it sure isn't pretty
"Pretty" is what it's about
I never met anyone who was "diff'rent"
Who couldn't figure that out
So beautiful I'd never live to see
But it was clear
If not to her
Well then to me
[Together]
That everyone is beautiful at the ballet
Every prince has got to have his swan
[Sheila]
Yes
[Together]
Everyone is beautiful at the ballet
Hey!
[Bebe]
I was pretty
At the ballet
[Together]
Up a steep and very narrow stairway
To the voice like a metronome
Up a steep and very narrow stairway
[Bebe]
It wasn't paradise
[Sheila]
It wasn't paradise
[Maggie]
It wasn't paradise
[Together]
But it was home
[Auditioner]
Alright, Number Six
[Maggie]
Number Six that's me, Maggie. Can I tell you about my parents?
[Auditioner]
Go ahead
[Maggie]
I don't know what they were for or against, really, except each other
I mean, I was born to save their marriage
But when my father came to pick my mother up at the hospital he said
"Well, I thought this was going to help
But I guess it's not."
Anyway, I did have a fantastic fantasy life
I used to dance around the living room with my arms up like this
My fantasy was that it was an Indian Chief
And he'd say to me
"Maggie, do you wanna dance?"
And I'd say, "Daddy, I would love to dance."
But it was clear
When he proposed
That I was born to help their marriage and when
[Sheila]
That's what he said
[Bebe]
That's what she said
[Maggie]
I used to dance around the living room
[Sheila]
He wasn't warm
[Bebe]
Not to her
("Do-do-doo's")
[Maggie]
It was an Indian chief and he'd say
"Maggie, do you wanna dance?"
And I said, "Daddy, I would love to"
[Sheila]
Everything was beautiful at the ballet
Raise your arms and someone's always there
Everything was beautiful at the ballet
[Bebe]
At the ballet
[Together]
At the ballet!
Yes everything was beautiful at the ballet
Hey!
[Bebe]
I was pretty
[Sheila]
I was happy
[Maggie]
"I would love to."
[Together]
At the ballet
[Sheila]
God, I hope I get this job
[Maggie]
Yeah? Me, too
[Bebe]
What about me?
[Auditioner]
Okay ladies. We will let you know. Next
2. Loving You
[Spoken Intro: Barbra Streisand & Patrick Wilson]
You have to face the truth. You have to let me go
I can't. You don't understand...
[Verse 1: Barbra Streisand]
Loving you is not a choice
It's who I am
Loving you is not a choice
And not much reason to rejoice
But it gives me purpose
Gives me voice to say to the world:
This is why I live
You are why I live
[Spoken Interlude: Barbra Streisand & Patrick Wilson]
Can't you see it's over?
I don't believe that
[Verse 2: Barbra Streisand]
Loving you is why I do
The things I do
Loving you is not in my control
But loving you, I have a goal
For what's left of my life
I will live
And I would die for you
[Spoken Interlude: Barbra Streisand & Patrick Wilson]
Don't say that
Then say you don't love me
But you know I do
[Verse 3: Barbra Streisand & Patrick Wilson]
Loving you is not a choice
It's who I am
Loving you is not a choice
And not much reason to rejoice
But it gives me purpose
Gives me voice to say to the world:
This is why I live
You are why I live
[Verse 4: Barbra Streisand, Patrick Wilson & Both]
Loving you is why I do the things I do (The things I do)
Loving you is not in my control (Not in my control)
But loving you, I have a goal
For what's left of my life (For the rest of my life)
I will live
And I would die for you
For you
For you, I would die for you
For you
3. Who Can I Turn To (When Nobody Needs Me)
[Intro: Barbra Streisand]
Who can I turn to
When nobody needs me
My heart wants to know
So I must go where destiny leads me
[Verse 1: Barbra Streisand & Anthony Newley]
With no star to guide me
And no one beside me
I'll go on my way and after the day
The darkness will hide me
But maybe tomorrow
I'll find what I'm after
I'll throw off my sorrow
Beg, steal or borrow my share of laughter
'Cause with you, I could learn to
With you on a new day
But who can I turn to if you turn away
[Verse 2: Barbra Streisand, Anthony Newley & Both]
With no star to guide me
And no one beside me
I'll go on my way, and after the day
The darkness will hide me (Will hide me)
Maybe tomorrow (Maybe tomorrow)
I'll find what I'm after (I will find it)
I'll throw off my sorrow
Beg, steal or borrow my share of laughter
My share of laughter, with you I could learn to
With you on a new day
But who can I turn to if you turn away
[Verse 3: Barbra Streisand, Anthony Newley & Both]
With no star to guide me
And no one beside me
I'll go on my way, and after the day
The darkness will hide me
And maybe tomorrow (Maybe tomorrow)
I'll find what I'm after (Will I find it?)
I'll throw off my sorrow
I may have to borrow my share of laughter
With you, I could learn to (With you I could learn to)
With you on a new day (There's always a new day)
But who can I turn to if you turn away
[Outro: Barbra Streisand & Anthony Newley]
Don't turn away
Who can I turn to if you turn away?
Don't turn away
Who can I turn to?
4. Any Moment Now
[Spoken Intro: Barbra Streisand & Hugh Jackman]
Hi, Honey! I'm home! *(Door closes)* Sorry I'm late, my appointments went on and on...
No no. It's okay. I-I ate already
Really?
Yeah, well when I didn't hear from you. I assu-
Oh, I'm so sorry
It's fine don't worry
I really- meant to call
So how-how's the script?
Uh yeah, it's coming along. It's good. Good, yeah
Good, good. Um... I had my hair cut. Do you like it?
Uh-huh. Yeah. I ha-hang on one second.
I'm in the middle of writing something. Hang on
Oh. I'm sorry. Um... I'm- I'm going upstairs
Listen don't- *(Sighs)*
What?
Alright. I'll be up
[Verse 1: Barbra Streisand]
Any moment now, he'll notice me
Me and my butterfly heart
Any moment now he'll turn around and grin
And say "At last, where have you been?
[Chorus 1: Barbra Streisand]
We're late for daybreak on the Riviera"
If not the Riviera, the beach at Malibu
The rich Madera sunset going on forever
With my arms growing cold
And his arms growing warm with life unfolding
[Verse 2: Barbra Streisand]
Any moment now, he'll say to me
"Why don't you follow your heart?"
How can he know that I've been praying he'd arrive
Afraid to come alive 'til then
Just saying, any moment now
[Spoken Interlude: Barbra Streisand & Hugh Jackman]
Listen, can you tell that I'm a little frustrated?
Well, so am I
I mean, I feel like you've been avoiding me
Me, avoiding you?
You-you're avoiding us
Oh
I mean, you're always out having meetings or--
I'm not always out
It would be nice if you just stayed home once in a while. Just the two of us
Well, I wouldn't be much fun, honey. I don't drink
Oh ho- Well, you gotta have something to wash down a frozen dinner
Wow. I don't know how to answer that. Look, I am going to sleep
[Verse 3: Hugh Jackman]
Any moment now, she'll notice me
Me and my simple guy ways
Any moment now, she said she'll settle down
If that were true, I'd paint the town
[Chorus 2: Hugh Jackman]
I'd take her flying to Atlantic City
If not Atlantic City, to see Niagara Falls
I know a pretty trout stream up above Seattle
What a life we could build in a home that is filled with love and laughter
[Verse 4: Barbra Streisand, Hugh Jackman & Both]
Any moment now
You'll say to me
You'll humor me
Chase the past
Those overcast days (Oooh)
How can I begin forgetting where we've been
To let the laughter in again
It's always any moment now
Oh, any moment now
[Spoken Outro: Barbra Streisand & Hugh Jackman]
Promise me we'll talk about this
Sure
When?
5. The Best Thing That Ever Has Happened
[Spoken Intro: Alec Baldwin, Barbra Streisand]
You dressed yet?
Dressed? Why?
We've got cocktails at the Cosdens'
Oh, geez
We said we'd drop by
Ugh, do we have to
Then, there’s dinner at the Dodges’, the reception at the Rosens'...
Ah! I think I'm gonna die!
So how about we just stay home?
Could we do that? I like your thinking
[Verse 1: Alec Baldwin, Barbra Streisand, both]
You are the best thing that ever has happened to me
You are
Come on...
Okay, then, one of the best things that’s happened to me
You are
To think I'd find someone who could surprise me
And size me up without cutting me down?
Ain't this a town?
Sure is
You are the god-damned'est thing that has happened to me (Language!)
Ever... sorry
When did I have this much happiness happen to me?
Never
I can’t believe my luck
And all I can do
Is be the best thing that’s happened to you
[Chorus 1: Alec Baldwin, Barbra Streisand]
So whaddya say we just stay home? (So whaddya say we just stay home?)
So whaddya we just go out on the boat and get smashed and make love on the beach and stare up at the moon?
(Whaddya say we just go out on the boat and get smashed and make love on the beach and stare up at the moon?)
[Verse 2: Alec Baldwin, Barbra Streisand, both]
You might just be the best thing that has happened to me
Well, so far
So far?
Of course, not much very good's ever happened to me (Aww)
So far (Me too)
I never much liked love
I always fought it
I never thought it would happen like this
Give us a kiss (Muah!)
We might just be the best thing that has happened to us
Kiddo
Sugar
Another moment like this might not happen to us
Partner
Lover
When all is said and done
You happen to be
The best thing that ever has happened
The luckiest thing that ever has happened
You are the best thing that's happened to me
Who knew?
Who dreamed?
Beats me...
[Spoken Outro: Alec Baldwin, Barbra Streisand]
So don't get dressed
I was hoping you'd say that
6. Anything You Can Do
[Intro: Barbra Streisand & Melissa McCarthy]
Hi, Melissa?
Oh, wow! Barbra Streisand
Streisand, like sand on the beach, soft 'S'
Right, sorry, what are you doing here?
I'm here to see the director
He cast me as the lead in his new movie
He cast me as the lead in his new movie
That's impossible
Yeah, well we'll see
Really?
[Verse 1: Barbra Streisand, Melissa McCarthy & Both]
Anything part you can play, I can play better
I can play any part better than you
No, you can't. Yes, I can
No, you can't. Yes, I can
No, you can't. Yes, I can
Yes, I can!
Any laugh you can get, I can get bigger
I can get any laugh as big as you
With one look, with a glance
Till they cry, wet their pants
Till they roll, till they're sore
I'll get more
Oh, I can belt a D flat, and I'll never be flat
I don't have to warm up, I can act a storm up
I can do a concert tour
With hip-hop and rap?
Well, after a nap!
[Spoken Interlude: Barbra Streisand & Melissa McCarthy]
Okay, you got me there
Are you related to Matthew?
No, that's McConaughey
What about Paul?
That's McCartney!
Oh, yeah, yeah, yeah, I'm sorry
[Verse 2: Barbra Streisand, Melissa McCarthy & Both]
Any house you can build, I can build better
I can build any home grander than yours
With great taste? With ten [?]
With restraint? Lots of [?]
With a moving wall With a mall?
A mall?
In any comedy, I can be crasser
I can be cruder and crasser than you
With a belch? With a burp
With a shrug? With a slug
Yet so clean Well, I'm just not obscene
You're a dirty talker
You played Mother Falker
Bridesmaid's a keeper
Prince's dad's a weeper
We agree on quite a lot
Hey, let's make amends!
Yeah, we should be friends!
[Spoken Interlude: Barbra Streisand & Melissa McCarthy]
What do you call a man who's lost all his intelligence?
I don't know, what?
A widower
Ah!
[Verse 3: Barbra Streisand, Melissa McCarthy & Both]
Anything men can do, we can do better
Anything men can do, we can do too
Steal a scene, stop the show
Fill the seats as our own
Have a child with a man
Yes, we can!
We were underrated, teased and deprecated
But we sent a male in, through the glass ceiling
There is nothing we can't do
Well, can you bake a pie? No
Well, neither can I! You know
Anything I can do, we can do better
We can do anything better as two
Make chick-flicks but it kicks
As a team, we're a dream
You're the bomb (Huh?)
You'll be great (Really?)
Like my mom!
Your mom, don't you mean sister?
Okay— Why did you say a thing like that?
Touchy Well, I mean, do you have to—
Fine
On your fan, yes we can, yes we can
Yes we can!
[Outro: Barbra Streisand & Melissa McCarthy]
Hah! Can I call you babs now?
No, too soon
7. I'll Be Seeing You/I've Grown Accustomed To Her Face
[Part I]
[Verse 1: Barbra Streisand]
So much was in the moment
When we said goodbye
I won't forget that moment
No matter how I try
Who knows if we will meet again
To make the moments warm and sweet again
[Chorus: Barbra Streisand, Chris Pine & Both]
I'll be seeing you
In all the old familiar places
That this heart of mine embraces
All day and through
In that small cafe
The park across the way
The children's carousel
The chestnut trees, the wishing well
Oh, I'll be seeing you
In every lovely summer's day
In everything that's light and gay
I'll always think of you that way
I'll find you in the morning sun
And when the night is new
I'll be looking at the moon
But I'll be seeing you
[Part II]
[Verse 2: Chris Pine & Barbra Streisand]
I've grown accustomed to her face
(Mmm-mmm-mmm-mmm-mmm)
She almost makes the day begin
(Mmm-mmm-mmm-mmm-mmm)
I've grown accustomed to the tune she whistles night and noon
Her smiles, her frowns, her ups and downs
Are second nature to me now
Like breathing out and breathing in (Who's breathing in)
I was serenely independent and content before we met
Surely I could always be that way again and yet
I've grown accustomed to her looks (Accustomed to his voice)
Accustomed to her face
[Finale]
[Chorus: Barbra Streisand, Chris Pine & Both]
I'll be seeing you
In every lovely summer's day
In everything that's light and gay
I'll always think of you that way
I'll find you in the morning sun
And when the night is new
I'll be looking at the moon
I've grown accustomed to her face
But I'll be seeing you
8. Pure Imagination
[Intro: Barbra Streisand, Seth MacFarlane]
Does the world ever frighten you?
Sometimes
Well, what do you do about that?
Well, I just close my eyes
Make a wish
I go into my mind, and um
Create the world the way I want it to be (Huh)
I'll show ya
[Verse 1: Barbra Streisand, Seth MacFarlane]
Come with me and you'll be
In a world of pure imagination
Take a look and you'll see
Into your imagination
We'll begin with a spin
Traveling in the world of our creation
What we'll see will defy
Explanation
[Verse 2: Barbra Streisand, Seth MacFarlane, both]
If you want to view paradise
Simply look around and view it
Anything you want to, do it
Want to change the world?
There's nothing to it
There is no life I know
To compare with pure imagination
Living there, you'll be free
If you truly wish to be
[Bridge: Barbra Streisand, Seth MacFarlane]
You can save our every situation
Life in there's a sensational sensation
[Verse 3: Barbra Streisand, Seth MacFarlane, both]
If you want to see magic lands
Close your eyes and you will see one
Want to be a dreamer, be one
Anytime you please, and please save me one
There is no place to go
To compare with pure imagination
So go there (We'll go there)
To be free (Anywhere)
If you truly wish to be
[Outro: Barbra Streisand, Seth MacFarlane, both]
So, go there
We'll go there
To be free
Everywhere
If you truly wish to be
9. Take Me To the World
[Verse 1: Antonio Banderas & Barbra Streisand]
Aren't you happy here?
Just two of us in the world, a private world
Of course, but it's the only world I know
And there's whole other one outside
And I want to know that one too
No, you don't, it's cold and dark
Full of disappointment and demands
And people (Yes)
[Chorus: Barbra Streisand]
Let me see the world with clouds
Take me to the world
Out where I can push through crowds
Take me to the world
A world of skies
That's bursting with surprise
Where I can feel my miles with you
Oh, take me to the world that's real
Show me how it's done
Teach me how to laugh, to feel
Move me to the sun
Just hold my hand whenever we arrive
Take me to a world where I can be alive
[Verse 2: Antonio Banderas & Barbra Streisand]
We never be alone
People would never leave us alone
Will we be together?
That would make the difference
[Chorus: Barbra Streisand & Antonio Banderas]
Let me see the world that smiles (I have seen the world)
Take me to the world (And it's mean and ugly)
Oh, to where I see for miles (Just to see each other)
Take me to the world (It's fight with me)
Just hold my hand whenever we arrive
(Stay here, I love you, but we're happy here)
Let it be a world with you (Stay with me)
Any other world with you (Stay with me)
Take me to a world where I can be alive
[Bridge: Antonio Banderas & Barbra Streisand]
If you really love me, you would do this
Alright
[Chorus: Antonio Banderas, Barbra Streisand & Both]
Do you want the world? (I do)
Well then, you shall have the world (Thank you, my love)
Ask me for the world again
You shall have the world
A world of skies
That's bursting with surprise
To open up your eyes for joy
We shall see the world come true
We shall have the world
I won't be afraid with you
Oh, we shall have the world
I'll hold your hand I know I'm not alone
We shall have the world to keep
Such a lovely world you'll weep
We shall have the world forever for our own
10. Climb Ev'ry Mountain
[Spoken Intro: Barbra Streisand & Jamie Foxx]
Everyone has a dream, don't you think?
Yes, but the question is, how do you make it happen?
Well, first of all, if you can imagine it, then you can achieve it
Yeah, yeah, yeah but it might take a lot of time (Uh-huh)
It might take a lot of hard work
I agree, if I want something you've never had
You have to do something you've never done, right?
Mhmm, I like that
You have to have patience
One day at a time
Little by little
Step by step
With a little love in your heart
Oh, yes, indeed
Take chances too
And then
[Chorus: Jamie Foxx & Barbra Streisand]
Climb every mountain
Search high and low
Follow every highway
Every path you know, oh yeah
Climb every mountain
Ford every stream
Follow every rainbow
Till you find your dream
[Refrain: Jamie Foxx & Barbra Streisand]
A dream that will need (That will need)
All the love you can give, oh
Every day of your life (Of your life)
For as long as you live (As you live)
[Chorus: Barbra Streisand, Jamie Foxx & Both]
Climb every mountain
Ford every stream
Follow every rainbow
Till you find your dream
[Refrain: Jamie Foxx, Barbra Streisand & Both]
A dream that will need (That will need)
All the love we can give
Every day of your life (Of your life)
For as long as you live
[Chorus: Barbra Streisand & Jamie Foxx]
Climb every mountain
Ford every stream
Follow every rainbow
Till you find, till you find
Follow every rainbow
Till you find your dream
Till you find your dream
(以上內容摘自互聯網)
