William K. Everson calls Big Business "The apotheosis of all Laurel and Hardy films," and goes on to call it "one of the comedy classics from any star, any country and any period." It is certainly one of the tightest edited films of Laurel and Hardy.
James Finlayson, one of the Hal Roach Comedy All-stars, was at one time being groomed to be a star in his own right. Sadly, that was not to be. But he became one of Laurel and Hardy's most popular supporting actors, appearing in 33 of their films.
In his excellent book on the boys, which was published in 1968, author Charles Barr talks about a short story, which was written by Arthur C. Clarke, entitled Expedition to Earth. In it, aliens from the planet Venus land on a long-dead earth many centuries hence (I hope) to discover a barren wasteland, where the only item left by humanity is a single can of film. The Venusians devise a way to project the motion picture. Anxiously, they await the screening of a lost civilization, hoping to find how these humans once lived, what they laughed at, and how they behaved. Hoping to write countless books on the beings who once inhabited this lost planet, they find to their dismay four meaningless words which flash onto the screen: A Walt Disney Production.
According to Barr, the ending to the story is appropriate. However, it would have been more fitting if the canister of film contained the silent Laurel and Hardy classic, Big Business. What better source in learning about man than sitting for 20 minutes, observing in Barr's own words, "pain and joy, authority and subversion, aspiration and disaster, generosity and ill will, with the directness of allegory." I am in total agreement with Mr. Barr, feeling that Laurel and Hardy were the most universal of all comedians. Every walk of life can relate to these two innocents as they struggle with humanity, trying vainly to sell their considerable stock of Christmas trees to a most uncooperative public. As soon as they ring the doorbell of their third prospective customer, James Finlayson, we know that all of their efforts are foredoomed to failure, resulting in the quintessential battle of "reciprocal destruction."
Studio publicity for the Hal Roach Studio at the time claimed that they would use the home of a studio employee with the express purpose of wrecking it for the movie. The employee would also be awarded a vacation with his family while the picture's filming was in progress. Supplied with a house key and a photograph of the dwelling, the studio technicians located it (or thought they did), trying vainly to open the front door with the said key. The director, James Horne ordered, "Break the door down! We're going to tear the place apart anyway." After a few days filming, things were running smoothly, until a man and wife came driving up the road with two kids in the car. The woman fainted and the man started yelling at the film crew, causing the studio people to realize that they had destroyed the wrong house!
This was a story that Hal Roach loved to tell interviewers in his later years. In the early 1960's, when he appeared on the Today Show, Roach again regaled television audiences throughout the country with this wonderful anecdote. Unfortunately, Stan Laurel would later comment that the story was a mere fabrication concocted by studio publicists. As it is through, Big Business must certainly rank as one of the boy's best films, along with Helpmates and The Music Box. As soon as the first title, which reads, "the story of a man who turned the other cheek and got punched in the nose" flashes onto the screen, it soon becomes evident that this is an unforgettable classic for the holidays!