http://en.wikipedia.org/wiki/Titian
一位冷靜的智者
他的畫筆如同燃燒的火焰在講話,
勇敢地傾訴著萬般的無奈, 竭力的撕殺與抗爭, 
( Rape of Europa ) http://employees.oneonta.edu/farberas/arth/arth200/Heroic_Rape.html
Like so many of his late works, Titian's last painting, the Pietà, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel. 釘死於十字架上以後, 被抬回並安置在石洞裏的耶穌。
The picture represents, over the background of a larger niche in Mannerist style, the Madonna supporting the body of Christ, with the help of a kneeling Nicodemus. The latter is probably a self-portrait of Titian, represented as if he saw his also upcoming death in the Christ's face[citation needed]. On the left, standing and forming an ideal triangle, is Mary Magdalene.
http://en.wikipedia.org/wiki/Piet%C3%A0_(Titian)
Diana and Callisto - being offered by the Duke of Sutherland to the National Galleries of Scotland and the National Gallery of London at £50million
這是他的另一類作品: 坦然而 rather 平靜地表達著男女之間看似自然, 正常, 但卻又充滿著神秘的性誘惑力和殺傷力的相遇相逢
Diana and Actaeon is a painting by the Italian Renaissance master Titian, finished in 1556–1559, and is considered amongst Titian's greatest works. It portrays the moment in which the goddess Diana meets Actaeon. In 2008–2009, the National Gallery, London and National Gallery of Scotland successfully campaigned to acquire the painting from the Bridgewater Collection for £50m. As a result, Diana and Actaeon will remain on display in the UK, and will alternate between the two galleries on 5-year terms.
Diana and Actaeon refers to the myth in which the mortal Actaeon unwittingly sees the goddess Diana naked, and is punished for it. 
Danaë http://en.wikipedia.org/wiki/Dana%C3%AB
以及對女性身體的讚美和對性意識的 arousing 喚醒, as if 男人變成了臣服於女人肌膚的一小瘋人兒
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