我fascinated by文革和嬉皮運動,寫幾句,同時在地球兩端,69年是個eventful year

In 69

 
Once on a barren farm
at a chilly dawn
thousands of young Fantasies
worshipping Sun and Maonotone
Oh, my poor Fantasies
shoveling and trimming rocks
rectangle and square
black and gray
till they became uniform building blocks 
Oh, my innocent Fantasies
on the waving water, constructing utopia and mirage

Once on a dairy farm
at a creamy dusk,
thousands of young Hippies
worshipping the Who and Rainbows
Oh, my poor Hippies
digging and grinding rocks
Hard and Soft
Blue and Purple
till they became colorful chalks 
Oh, my innocent Hippies
on the Rolling Stones, painting peace and love

6 in my eyes
What’s in yours
9 in the past
What’s in the present
 
以前寫的,最近想起來,找出來再改了改。GPT 也能讀出個大概,進步了,不過沒有看出 Maonotone。
 

This poem portrays a juxtaposition between two different time periods and groups of people: the "Fantasies" in the past and the "Hippies" in the present. The poet reflects on their experiences and contrasts the activities and attitudes of each group.

In the first stanza, the "Fantasies" are depicted as young individuals on a barren farm during a cold dawn. They are engaged in manual labor, shoveling and trimming rocks to create uniform building blocks. This imagery suggests a sense of conformity and a loss of individuality as the Fantasies work towards a common goal. They construct an idealized world ("utopia") and illusory images ("mirage") on the waving water, which implies their imaginative nature.

The second stanza introduces the "Hippies" on a dairy farm during a creamy dusk. They are described as young people who worship the Who (a rock band) and rainbows. Unlike the Fantasies, the Hippies engage in digging and grinding rocks, but instead of uniformity, they produce colorful chalks. This signifies their inclination towards self-expression, creativity, and embracing diversity. They paint symbols of peace and love while listening to the Rolling Stones (another rock band).

The concluding lines of the poem present a play on numbers and perception. The poet mentions "6 in my eyes" and asks, "What's in yours?" This line suggests a subjective perspective, highlighting that each individual may have their own interpretation or understanding of the world. The line "9 in the past, what's in the present" emphasizes the passage of time and the transition from one era (represented by 9) to the present. It prompts the reader to reflect on the differences and similarities between past and present, as well as the changing values and ideals of society.

Overall, the poem captures a sense of nostalgia, explores the contrast between conformity and individuality, and raises questions about perception and the passage of time.

所有跟帖: 

新鮮!讚! -lovecat08- 給 lovecat08 發送悄悄話 lovecat08 的博客首頁 (0 bytes) () 06/07/2023 postreply 10:57:42

+1 -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 15:27:24

thanks, only a few words are new -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 16:29:40

校園革命的年代,有部法國電影忘了什麽名字了,就是寫巴黎的學生造反 -花似鹿蔥- 給 花似鹿蔥 發送悄悄話 花似鹿蔥 的博客首頁 (0 bytes) () 06/07/2023 postreply 11:40:11

if my memory was reliable, an extreme example of the turmoil -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (87 bytes) () 06/07/2023 postreply 16:32:17

-紫若藍- 給 紫若藍 發送悄悄話 紫若藍 的博客首頁 (0 bytes) () 06/07/2023 postreply 14:21:48

thanks! -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 16:35:27

There's humor between the lines. -shuier- 給 shuier 發送悄悄話 shuier 的博客首頁 (0 bytes) () 06/07/2023 postreply 18:26:18

How so? -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 18:57:05

Just read between the lines. You're teasing me, aren't you? -shuier- 給 shuier 發送悄悄話 shuier 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:00:05

Of course not. -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:02:38

Tell me, in a nutshell, what Hippies were doing. -shuier- 給 shuier 發送悄悄話 shuier 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:05:57

Hippies were saying no to the world in a hip way. -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:07:53

You're talking about the counter-culture thing, right? -shuier- 給 shuier 發送悄悄話 shuier 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:09:08

Right. -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:09:52

the last 4 lines? -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:03:10

I think so. -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:11:06

me being naughty? LOL, if so, AI didn't get it -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:17:49

You might want to ask shuier. Hahaha! -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 20:17:32

同問,我看過Woodstock festival的文字和影像,diary farm的setting和後續都是imply -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:01:47

廿世紀六十年代真是個世界青年一代造反的年代,甚至連帶日本也遭波及。 -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 18:41:38

瘋狂的年代,是否那時太陽有什麽異常的活動?記得讀村上春樹的挪威的森林裏有提及 -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 18:58:20

I would say it was a worldwide generational conflict. -renqiulan- 給 renqiulan 發送悄悄話 renqiulan 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:12:13

maybe in the rest of the world in China the young were pawns -顫音- 給 顫音 發送悄悄話 顫音 的博客首頁 (0 bytes) () 06/07/2023 postreply 19:15:24

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