卡爾·李希特指揮慕尼黑巴赫樂團演繹
約翰·塞巴斯蒂安·巴赫《勃蘭登堡協奏曲》
Johann Sebastian Bach: Brandenburg Concertos Nos. 1-6, BWV1046-1051
Münchener Bach-Orchester
Karl Richter, Conductor
0:00:00 - Nº1 in F major BWV 1046
0:20:50 - Nº2 in F major BWV 1047
0:32:33 - Nº3 in G major BWV 1048
0:45:03 - Nº4 in G major BWV 1049
1:01:44 - Nº5 in D major BWV 1050
1:21:51 - Nº6 in B flat major BWV 1051
The Brandenburg concerti by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as among the finest musical compositions of the Baroque era.
Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708–17).
The dedication page Bach wrote for the collection indicates they are Concerts avec plusieurs instruments (Concertos with several instruments). Bach used the "widest spectrum of orchestral instruments ... in daring combinations," as Christoph Wolff has commented. "Every one of the six concertos set a precedent in scoring, and every one was to remain without parallel." Heinrich Besseler has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in Köthen.
Because King Frederick William I of Prussia was not a significant patron of the arts, Christian Ludwig seems to have lacked the musicians in his Berlin ensemble to perform the concertos. The full score was left unused in the Margrave's library until his death in 1734, when it was sold for 24 groschen (as of 2008, about US$22.00) of silver. The autograph manuscript of the concertos was only rediscovered in the archives of Brandenburg by Siegfried Wilhelm Dehn in 1849; the concertos were first published in the following year.
In the modern era these works have been performed by orchestras with the string parts each played by a number of players, under the batons of, for example, Karl Richter and Herbert von Karajan. They have also been performed as chamber music, with one instrument per part, especially by (but not limited to) groups using baroque instruments and (sometimes more, sometimes less) historically-informed techniques and practice. There is also an arrangement for four-hand piano duet by composer Max Reger.
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