George Li(黎卓宇)家住Lexington MA. 現在新英格蘭音樂學院預備學校,師從著名韓裔鋼琴教育家Wha Kyung Byu(著名鋼琴家Russell Sherman的太太).
這小家夥是真材實料,天賦極高(包括音樂記憶力), 是近十年來看到最有希望成大才的.
1.稻草人
2,3: 月光奏鳴曲 (這是在class recital裏彈得,充滿了表現力,大概得到過Sherman指點)
4-6: 聖桑第二鋼琴協奏曲
順便提一下Sherman,他的音樂會總是給我留下了很深印象.他不停地探索音樂裏深層含義和如何展示新的音樂素.他的語錄:
ZT:
On PLAYING the PIANO/BEING A PIANIST:
"To play the piano is to consort with nature. Every molecule, galaxy, vapor, or viper, as well the sweet incense of love's distraction, is within the hands and grasp of the pianist. The result may be a mess or a blessing...."
"To master the piano is to master the universe. The spectrum of piano sound acts as a prism through which all musical and non-musical sounds may be filtered. The grunts of sheep, the braying of mules, the popping of champagne corks, the sighs of unrequited love...."
"To succeed as a pianist, one's intelligence quotient should reside on either of two distinct levels: an I.Q. of below 110 or above 140. The lively curiosity which distinguishes those who are in between will militate against the focused tenacity required to play the piano and to master its physical and structural labyrinths. It is like looking at Mars through a telescope for six hours each day while tracing the Byzantine network of its grooves and clusters, lines and patterns. One has to be a little inhuman or insane, stupid or brilliant."
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這小家夥是真材實料,天賦極高(包括音樂記憶力), 是近十年來看到最有希望成大才的.
1.稻草人
2,3: 月光奏鳴曲 (這是在class recital裏彈得,充滿了表現力,大概得到過Sherman指點)
4-6: 聖桑第二鋼琴協奏曲
順便提一下Sherman,他的音樂會總是給我留下了很深印象.他不停地探索音樂裏深層含義和如何展示新的音樂素.他的語錄:
ZT:
On PLAYING the PIANO/BEING A PIANIST:
"To play the piano is to consort with nature. Every molecule, galaxy, vapor, or viper, as well the sweet incense of love's distraction, is within the hands and grasp of the pianist. The result may be a mess or a blessing...."
"To master the piano is to master the universe. The spectrum of piano sound acts as a prism through which all musical and non-musical sounds may be filtered. The grunts of sheep, the braying of mules, the popping of champagne corks, the sighs of unrequited love...."
"To succeed as a pianist, one's intelligence quotient should reside on either of two distinct levels: an I.Q. of below 110 or above 140. The lively curiosity which distinguishes those who are in between will militate against the focused tenacity required to play the piano and to master its physical and structural labyrinths. It is like looking at Mars through a telescope for six hours each day while tracing the Byzantine network of its grooves and clusters, lines and patterns. One has to be a little inhuman or insane, stupid or brilliant."
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