巴赫-無伴奏大提琴組曲前奏曲 BWV 1008

Bach, J. S. - BWV 1008 Praeludium - Video

Praeludium, BWV 1008

Composer: Johann Sebastian Bach (1685 – 1750)

Johann Sebastian Bach was a German composer and musician of the Baroque period. Known as the father of classical music, Bach created more than 1,100 works, including roughly 300 sacred cantatas. His output is unparalleled and includes about every musical genre outside of opera. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time. 

The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass). 

Suite No. 2 in D minor includes the following movements:
Prelude
Allemande
Courante
Sarabande
Minuet I / II
Gigue

The Prelude consists of two parts, the first of which has a strong recurring theme that is immediately introduced in the beginning. The second part is a scale-based cadenza movement that leads to the final, powerful chords. I made the transcription for classical guitar.

 

https://youtu.be/0lB4jGgA6zc

 

約翰·塞巴斯蒂安·巴赫（德語：Johann Sebastian Bach，1685年3月31日－1750年7月28日），巴洛克時期的德國作曲家，傑出的管風琴、小提琴、大鍵琴演奏家，同作曲家亨德爾和泰勒曼齊名。巴赫被普遍認為是音樂史上最重要的作曲家之一，並被尊稱為“西方‘現代音樂’之父”，也是西方文化史上最重要的人物之一。 巴赫的無伴奏大提琴組曲，編號BWV1007-1012，大約創作於1717年至1723年巴赫時任克滕宮廷樂長期間。也是《無伴奏小提琴奏鳴曲與組曲》的姐妹作。 不同於其他樂器的組曲和奏鳴曲，巴赫在這裏構建了一種更加循序漸進和連貫統一的風格，每首組曲在結構上都按照嚴格的曲式譜成。而在音樂發展的過程中，每個樂章之間的內在聯係更是交響曲的先聲。前奏曲、阿列曼德和庫朗特往往構成一個不規則但內容統一和連貫的快—慢—快結構；其後是慢速的薩拉班德，該樂章的音樂性格和內容都在組曲中明顯的與其他樂章不同，而這種特點更是未來交響樂或奏鳴曲柔版（Adagio）樂章的預示；其後的小步舞曲（第一、二號）或其他三拍子快速舞曲（布雷舞曲：第三、四號。嘉禾舞曲：第五、六號）在曲式和音樂情感的發展上連接了前麵慢速樂章與終曲快速樂章吉格（Gigue）。