馬已具悲鴻之神似,也不具韁繩,透視感,立體感,空間感。。。獨具,使畫作鮮活,很給力!
所不足,書法用墨宜再精,另外,題款可多借鑒些古法款識,再讚,並隨意句之:
馬中赤兔多神韻,畫家富在濟世心,橫塗豎抹也關情,原來當牛作馬人!
馬已具悲鴻之神似,也不具韁繩,透視感,立體感,空間感。。。獨具,使畫作鮮活,很給力!
所不足,書法用墨宜再精,另外,題款可多借鑒些古法款識,再讚,並隨意句之:
馬中赤兔多神韻,畫家富在濟世心,橫塗豎抹也關情,原來當牛作馬人!
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