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On "Life" dialogue

(2011-11-21 19:04:25) 下一個

On "Life" dialogue

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Wang Yu: "Life" was published, causing the reader's attention in the literature and art also had a relatively large response, published in the press throughout the country a lot of commentary.
I read your post three medium-length, was to reflect the depth and breadth of life, each has different degrees of progress. You're thinking, "Life", the cellar there any specific ideas?
Lu Yao: This work, originally written when I really did not expect any repercussions. I wrote the rural theme, not one or two days, and not suddenly remembered to write it, the prototype of this work in my heart a long time brewing, probably written in 1979 thought this subject. But the overall feel inadequately prepared, there are many problems not figured, are put down a few pen. But do not write out those people always feel the impact of me, 1981, under the cruel write about. I think the performance as much as possible out of this life. When the works published after the reader has been enthusiastic support, received thousands of letters. I really do not want to say, I mainly want to hear the views of critics.
Wang Yu: You write, "Life", in fact, is constantly exploring life, people do comment about it, can not help but "nowhere near", and count only your own to explore the joys of this more clearly.
Lu Yao: According to the current article to see comments, critics or sensitive, meaning the things of this work are basically seen in some places even I have not yet realized. They proposed works inadequacies, others show valuable. Even those negative comments, I also very helpful.
Wang Yu: your "life", give me the impression that the most prominent is the current comprehensive plan this turning point in the grasp of the complex life of contradictions. Face of the current literature with the progress of the whole, this is a very important issue. Of course, not only "life", your three medium-length, on this issue are more prominent performance, originally published, and later won a prize of "soul-stirring scene," though in some places can not help but fine sparse, but for ten catastrophe during the pious in a mixture of fanaticism, bewildered state is intertwined with the portrayal of the complex impulse, especially in mining hero inner spiritual strength, so that his character of flashes, the content is relatively thick. Your "in the difficult days", too, in that a difficult moment, in that a young man who, a perseverance, pure strength of character, and the contradictions of life around the stern collided with each other, echoing the tone of tragic . In the "life" in this transition period unite contradictions, from the fate of characters from the character's inner life in full to show up, more than the previous two deep and extensive. You Seminar on several occasions and you write the article mentioned, to write cross-zone, Comrade Hu also talked about using this, I very much agree with this view. This blow away the cobwebs in the current period of transition, all aspects of real life interaction, mutual penetration, penetration, intertwined, showing a criss-cross the state, the writer to reflect this era, it is necessary to consider the issue from such a perspective. In my personal bias, the current works its so thin that some, or narrow, or shallow, is probably confined to the main living area small, rural is rural to write, write the city is the city, unemployed youth is unemployed youths, it was on the matter . Some of the better works, there are some real sense of life, but it is difficult to see through the works of the era's style, often times there is no life. Of course, some works, only the empty Ku characteristics of the times, there is no real sense of concrete life, it does not work. You put the two together, I think you reflect on the contradictions and conflicts, have their own thinking.
Lu Yao: this is what I think. Often exhibit complex life forms, some phenomena, contradictions, conflicts, floating on the surface, one would see that some writers are often attracted to this surface of things, the confusion, a lot of work is the description of these things. However, the conflicts inherent in life, sometimes not at once be able to see, but the writer's job is to uncover the main surface of things in life, the deep drilling to go live, but not satisfied with the performance of live appearances , so that works can write some of the deep.
Wang Yu: Your insight is very profound. Many writers to go in life, all of a sudden phenomenon was attracted to the surface of life, could not restrain his enthusiasm, without repeatedly thinking, digestion, nurturing, often described is more than enough to think, it is difficult to go deep .
Lu Yao: like the rural production responsibility system, which is the current policy, in the middle of rural areas and farmers have a lot of anti-Central Committee, on the surface, the farmers get rich friends, rich friends, have food friends, buy things. But the work described in this step just to stay on, write them money to buy television sets, flying high-end merchandise, write kind of money to get their hands yesterday, and took out, like this of course does not participate in the rural areas that do not reflect the new changes, But after all, not enough to reflect the new policy brings a broad and far-reaching impact. A writer, you should see a change in economic policy in rural areas, causing the entire life of rural change, this change reflected in the people's profound spiritual and psychological changes in the relationship between people on the change, and the old overcome conflicts, new contradictions emerge, and new conflicts continue to promote reform and institutional change in people's mental world, the relationship between people new adjustment. In short, the whole experience of rural life with a new kind of change and combinations, should focus on these areas to. From the superficial view, it is easy to write superficial similarity. I had too, so write works very superficial. This works to attract any reader think more deeply about life. Therefore, I think writers should dig depth of life, life can not be fooled by the surface of things, you just mentioned the issue on cross-cutting areas that I feel in real life, a new contradiction. I was aware of the intersection of urban and rural areas, it seems, with the system reform, the various contradictions in life have shown a cross-state. Not only between urban and rural areas, is within the city between the fronts, between people of rural life, the spiritual world inside, conflict is complex cross. Conflicts of ideas, as well as the younger generation and older generation, the old thinking and new ideas conflict between the cross is also more complex. Writers go from the broad scope of understanding it, and poke the surface of the phenomenon of life, deep into the life of a deeper underlying and internal, in the relatively wide range of conflicts within the society as a whole to consider the cross, the creation of many young writers are to consider this aspect, my "life" is also considered this aspect, but did not do enough.
Wang Yu: For now, "Life" to show the contradiction, is very simple.
Lu Yao: Looking back, some places seem very satisfied, this work is required on the subject, it should show a little more broad, there are still some limitations. But this work is, then something is very difficult to increase, and only such future remediation. Mainly but also deeper understanding of life.
Wang Yu: Also count is because of this, the "life" of the evaluation will have some different views. I thought you wrote "Life" is to peel the surface of life, to explore the inner life of the complex contradictions, therefore, "Life" theme is a simple sentence can be explained clearly. From the content of the work to see that you are exploring the intersection of various conflicts during the transition of young people on the generation, whether we should take what the road of life issues. Gao Jialin ideals and pursuit of the common features of contemporary youth. But there are also added to the historical situation of the burden of the younger generation, younger generation has almost be added to the frenzy, nothing thing. These are woven together in the body Gao Jialin, therefore, that the works of Gao Jialin answer is not to transform, and Gao Jialin's view is right or wrong, some are too simple. "Life" theme should be cross, is the radiation from a main line to reflect the times to open all aspects of life.
Lu Yao: this controversy mostly concentrated in the Gao Jialin, and this is very political parties. The character of Gao Jialin, to be honest I am also studying him. Because of this, I work there is no simple answer to this character is what kind of person.
Talking about the theme of work in the past to limit the subject within the narrow range, always make a see through, a bit simplistic. Of course, does not mean that the reader can not tell what. I mean, the theme of work is not a simple concept, because life itself is not a simple concept. Life is a complex synthesis of watery. Work is a reflection of life, a true reflection of life's works, the concept would not be simple things, like life itself should be the same as the conflicts, with a complex tone. I am in the "life" in some wanted to explore in this area, mainly in the Gao Jialin body. The ideological work, I think, every part of the work permeated with ideas, not only in works of general conclusions have a simple idea. Depth of understanding of life a writer, should any one in the works are permeated with the corner.
Wang Yu: Yes! This problem well. When readers read a work, should be able to catch his reflection everywhere, not just read the works of a conclusion proved correct or false.
Lu Yao: it is. Like Tolstoy's works, always will cause the reader to think deeply. "Anna Karenina" at the beginning of the first sentence to the debate. Excellent works, each of which reflects the writer's depth of understanding of life, should be interpreted this way the theme works.
Wang Yu: The theme of the work is rich, the work should not be a single character. Gao Jialin such as characters, not simply to be able to understand him. His pursuit and ideals, the characteristics of young people of this era. He would like to post as private teachers, want to change the rural backward customs, and made some achievements, want to get some of the conditions to display their abilities, I am afraid that is beyond reproach; but who also mixed with some personal things, the pursuit of personal achievements, about the outcome , not liking the situation encountered frustrated, and so on, all interwoven in his body, causing the spiritual world of contradictions and conflicts, so that he is in a development process, Gao Jialin is a trek on the road of life who , rather than a pure road race of life has winners and losers. His innermost conflicts and developments, triggering the young friends of thinking, How should we understand the complexity of life. In short, this is a multi-dimensional character, not some character traits of the flat pile.
Lu Yao: I think that characters can not stand up, the key is whether this truly reflects the image of the conflicts in life, some commentators view the characters is relatively simple. Often thought to whether or not advanced character and characters typical mixed talk about art, it seems that people thought the more advanced, the greater the typical measure of whether a person works in the success of plastic, mainly to see if it is a typical Art . The development needs of living, promote or what the typical, that is another problem area should not confuse these two issues, the view, beginner readers and writers in the middle has caused some degree of confusion. As Gao Jialin this image, I wrote a cross-rural and urban areas, in life should not be accused him of being behind a molecule or a coward, bad guys, so it's too simple to understand. Now some critics have seen the complexity of his body that can not generally go from good people and bad look Gao Jialin this sense, I am agree. Like Gao Jialin this twenty-year-olds, lack of life experience, just set foot on the path of life, immaturity is inevitable. Gao Jialin not only is the case, any one of the young people had left on the road of life, will not be a mature, perfect people, not to mention Gao Jialin was then in one case, the performance of anything can the correct understanding is impossible. However, in the young people who, by no means everything should be negative. I have been a people of this character, the mental state is like, I stick with a brother-like feeling to write this character. Galindo is high because of my years older than him I slightly longer way to go, the body of some of the advantages of this character, or bad things, I want to completely describe it. I hope this person in our society eventually become an excellent youth, now in the works of this character, not yet matured to this point. This is not to say that I shield their mistakes, can be seen in the works, I told him some bad thoughts and feelings on things is very sharp criticism. For the writer's preference, we have been accustomed to go naked to see how he praised what, what is critical. In my opinion, a writer's bias should be included in the overall structure of the work. My tendency, reflected in the "life" as a whole, rather than come out in one place, with Galindo criticized the meal.
Wang Yu: this, some commentary is not put the full show, I feel like the end of your last, or not at the end of the end of the debate have pointed out, the figures for Gao Jialin this, rooted in real life land, will have a new beginning. You have high hopes for Gao Jialin's.
Lu Yao: It is filled with my own kind of aesthetic attitude to life, it is very clear. As Gao Jialin what's next to go, he will be what kind of people, to some extent be answered by the life, because life continues in the development, Gao Jialin also continue to live. I believe that as our society changes, the former too, like Gao Jialin so young, life will eventually come to the right way up, but the road ahead for him, it was also uneven.
Wang Yu: Yes. In later life he will encounter many ups and downs on the road.
Lu Yao: This is for sure, because our life itself is in contradiction to advance.
Wang Yu: Gao Jialin you created this image that there is a prototype of it, or from the many young people who summed it?
Lu Yao: I was out of rural areas, and to cities, I am also a person in a cross-zone. I know so many young people, very familiar to them. Their living conditions, mental state, I am very clear that these people including my relatives, my family there are many such people, my brother is such a person. I am in life there are many such feelings, it summed up the image of this figure.
Wang Yu: Gao Jialin's image, causing the reader a wide range of resonance, probably mainly by earnest and honest from the start of life, to grasp the complexity of the conflicts of life, and completely demonstrated. This figure is not only a reflection of rural youth, but also the epitome of this era a number of young people.
Lu Yao: Gao Jialin as a contemporary young people, not only in urban areas and rural cross-product of other industries also Gao Jialin, the city of Gao Jialin, university Gao Jialin, factory of Gao Jialin, Of course, the more rural areas of Gao Jialin. This youth, in our society, are not uncommon, I had the idea, I am obliged to write such a figure, on the one hand is to arouse the attention of such young people, the whole society should Xiang them, from all aspects to care for them so that they can grow up healthy, as the future of our entire country and the cause is to count on this generation, so we must start now, seriously concerned about them, pay attention to this problem; the other hand from the youth themselves, in the present society can not meet their living requirements, they should properly deal with life and deal with life, in a sense, especially when young, the road of life can not be easy, there is always a a correct approach to life's problems.
Wang Yu: It should be said, Gao Jialin's character is a multi-level, not just in him a pile of personal characteristics, but rather reflects the contradictions of our time unite.
Other characters, too, some people in the comments the article has been talk much, like Liu Qiaozhen this figure, is a beautiful image, but also reflects a number of rural young women in their own contradictions, as well as smart building This image, you do not put him simplistic, his body over the years developed a sense of superiority, or even a "despot", but there are the times he made hate clear side of love, shenanigans, there is courage, there are many complex things. Liu Qiaozhen this image to your outstanding performance, it is a long history of our nation this generation of young people given a good quality, it seems, you appreciate the character.
Lu Yao: Liu Qiaozhen, Deshun grandfather of these two figures, some commentators pointed out that I too love him (her), this is a reason. I itself is a farmer's son, I grew up in rural areas, so I farmers, like Liu Qiaozhen, With such a feeling to write these two characters, in fact, these two characters through the hands of the elders I raise my , brothers, sisters kind of feeling. These two figures, the performance of our country, the traditional virtues of a nation, a spirit of sacrifice in life. I think, no matter what kind of social progress to the point, this kind of thing will always be precious to us, if we put these things simply as with a feudalistic, and now no longer required, then what hope does humanity ? No matter what stage of development, such a good character, are necessary, it is our most basic of human society forward guarantee.
Of course they have their limitations, but this is not their responsibility, this is a social, historical result of a variety of reasons to give them a limitation.
Wang Yu: our history of inertia, limiting the development of the things they should not be developed.
Lu Yao: As such, they are in life, can not help but be on the road of life tragedies, such as Liu Qiaozhen, her fate is so tragic, the tragedy must be fate. I find this figure is holding a deep sympathetic.
Wang Yu: In contrast, Huang Yaping I always feel a little thin this character is written, what I call "thin" that Huang Yaping who vanity and superficial things written out, this character within the heart of the conflicts inherent in her bumps on the road of life, seem to have written is not deep enough. This may be my personal bias, I do not know exactly what you want, better text between comments and no more mention of this figure. However, from this point of view the relationship between people and Gao Jialin, should both influence each other's side, there are conflicting side. Liu Qiaozhen beautiful soul embodies the virtues of our nation from generation to generation, she had a difficult time Gao Jialin warm heart, firm in the life of Gao Jialin sustain confidence. This is a matched and Gao Jialin flag image. However, Huang Yaping Gao Jialin and between each other to communicate, after all the conflicting things too, seems to bring out is the tragic fate of Gao Jialin.
Lu Yao: This work does have deficiencies, something I wrote a long experience is not very rich, because the characters are more involved, and some people there is no good to start, I am concerned about these characters is not enough, play a first-time director and the director of five samples, often confused, and sometimes can only stare in the main role in a number of minor characters according to Gubuguolai. Some talented and experienced writer, breast milk as a global director, so that each corner has a show, I was a practice director, only concerned about the main characters. Huang Yaping this character, I had envisioned larger than the current size, the performance of this figure is still a start now, she should be made after the process.
Now work has been completed, too late to make up. If this work can be started, probably better than it is now, it is not only Huang Yaping a person, there are other characters, such as smart building such a person, if the work and then move forward, just maybe, he will rise up to the primary position I am now only concerned about the main part. Of course, a complete work should not have a secondary part.
Wang Yu: like theater actors used to say, the only actor on the stage, no small role.
Lu Yao: This is like building a house, your main concern is the beam, column, and think of ways to do a unique number, the other parts too late carved, and sometimes even filled with ordinary materials. Thus, in some places appeared to be very mediocre, I am also very satisfied.
Wang Yu: artistic creation to take care of each part, it was not easy, not only to the writer's device knowledge, but also to the writer's experience and skill, many masters in the structure and work hard, do not by chance. In Tolstoy's novels, like "Anna Karenina" in Aobo Lang Siji this figure, it should be said to be minor, but living as reflected in his works range from a key role, makes the whole structure of the work seemed so ironing and symmetry. "Life" and the next two episodes seem to paste the entire structure of the work was not so tight, one is from rural to urban Gao Jialin change of position is due to the accidental arrival of his uncle; and he returned from the city village, but it is man's mother encountered Ke as a woman, out of jealousy and informants, all too suddenly. These places do not know how you consider.
Lu Yao: not open fictitious high art. Description of the key issues to look at works of the conflicts, the fate of the characters, and conflict transformation and development, the nature of life from the perspective of the history test, is not reasonable. Some places it seems too obvious chance, mainly the author did not write adequately. The latter two circumstances, can not simply say it is accidental, can only say that I did not write adequately.
Wang Yu: As a result, I think the current problems in the novels. We often say that realism to evolution, combined with the "Life 0" creative point of view, this "deep" on the one hand reflects the life of the depth of the conflicts, on the one hand is the inherent richness of character, which is more profound reflect the multi-dimensional character. This year, "Yan River," published two articles of Comrade Chen Yong, raised a very important issue worthy of his literary and artistic works that show conflicts, not only the performance of people and things around to the conflicts, but also to further reflect the character itself conflicts, even if the new image as well. Your "life", I think at this point appeared very prominent.
Lu Yao: In fact, a person is one of the world, this world, not isolated, and it is closely related to society as a whole, each Xi injective. Some works, he can make up a compelling story, but they do not concern people's spiritual world, who works just a prop, the work will not be deep. Some European writers, including Alexandre Dumas, and why more than Balzac, Tolstoy low, one chip, stems from that.
Wang Yu: talk to you today, so I benefit. Authors to study life. Of people; critics would study authors, research work, attention to writers living in the study, reflecting what new life experience and new thinking.
In this way, writers and critics to become a true friend.
Lu Yao: In fact, writers and critics should study life. Critics of life, and research work; author of life, but also attach importance to comment. The only way to accurately evaluate the works of critics, writers, in order to constantly improve themselves.
Wang Yu: Recently, I heard "Life" and "difficult days" to be adapted into a movie, you adapt these two films in addition, are there any new plans?
Lu Yao: At present, our country is in the reform of the flood, life, more violent conflicts and changes, I do not want to rush to the performance of this change.
This change for each individual, is a new topic, especially for a writer to say. This reform began, we can not at once to see everything clearly, I would like to further study the reform of the state, as well as a variety of psychological changes in people, yet impossible to write anything. A writer with a cause out of the works of note, as if climbing a hill, perhaps preceded by a depression, depression only through this piece, he possibly climb another hill.












 








 





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