stillthere2025-07-18 15:55:13回複悄悄話 Feature James Patterson Michael Connelly ?
Genre Focus Fast-paced thrillers, crime, YA fiction Police procedurals, legal thrillers, noir crime
Narrative Style Plot-driven, cinematic, short chapters Character-driven, immersive, detailed prose
Chapter Length Very short (500–600 words), cliffhanger-heavy Moderate to long, focused on depth and nuance
Point of View Often first-person for immediacy Third-person, with deep psychological insight
Sentence Structure Simple, punchy, accessible Varied, literary, sometimes poetic
Character Development Functional, archetypal Rich, emotionally layered, morally complex
Writing Process Heavy outlining, often co-authored Organic drafting, minimal planning
Routine Writes daily, outlines ~900 pages/year Begins at 5 AM, edits previous day’s work first
Series Approach Built for mass appeal and rapid output Deeply invested in long-running characters like Bosch
Audience Experience Quick thrills, easy readability Slow-burn tension, emotional resonance
stillthere2025-07-18 15:51:54回複悄悄話 Feature James Patterson Michael Connelly ?
Genre Focus Fast-paced thrillers, crime, YA fiction Police procedurals, legal thrillers, noir crime
Narrative Style Plot-driven, cinematic, short chapters Character-driven, immersive, detailed prose
Chapter Length Very short (500–600 words), cliffhanger-heavy Moderate to long, focused on depth and nuance
Point of View Often first-person for immediacy Third-person, with deep psychological insight
Sentence Structure Simple, punchy, accessible Varied, literary, sometimes poetic
Character Development Functional, archetypal Rich, emotionally layered, morally complex
Writing Process Heavy outlining, often co-authored Organic drafting, minimal planning
Routine Writes daily, outlines ~900 pages/year Begins at 5 AM, edits previous day’s work first
Series Approach Built for mass appeal and rapid output Deeply invested in long-running characters like Bosch
Audience Experience Quick thrills, easy readability Slow-burn tension, emotional resonance
Feature James Patterson Michael Connelly ?
Genre Focus Fast-paced thrillers, crime, YA fiction Police procedurals, legal thrillers, noir crime
Narrative Style Plot-driven, cinematic, short chapters Character-driven, immersive, detailed prose
Chapter Length Very short (500–600 words), cliffhanger-heavy Moderate to long, focused on depth and nuance
Point of View Often first-person for immediacy Third-person, with deep psychological insight
Sentence Structure Simple, punchy, accessible Varied, literary, sometimes poetic
Character Development Functional, archetypal Rich, emotionally layered, morally complex
Writing Process Heavy outlining, often co-authored Organic drafting, minimal planning
Routine Writes daily, outlines ~900 pages/year Begins at 5 AM, edits previous day’s work first
Series Approach Built for mass appeal and rapid output Deeply invested in long-running characters like Bosch
Audience Experience Quick thrills, easy readability Slow-burn tension, emotional resonance
Feature James Patterson Michael Connelly ?
Genre Focus Fast-paced thrillers, crime, YA fiction Police procedurals, legal thrillers, noir crime
Narrative Style Plot-driven, cinematic, short chapters Character-driven, immersive, detailed prose
Chapter Length Very short (500–600 words), cliffhanger-heavy Moderate to long, focused on depth and nuance
Point of View Often first-person for immediacy Third-person, with deep psychological insight
Sentence Structure Simple, punchy, accessible Varied, literary, sometimes poetic
Character Development Functional, archetypal Rich, emotionally layered, morally complex
Writing Process Heavy outlining, often co-authored Organic drafting, minimal planning
Routine Writes daily, outlines ~900 pages/year Begins at 5 AM, edits previous day’s work first
Series Approach Built for mass appeal and rapid output Deeply invested in long-running characters like Bosch
Audience Experience Quick thrills, easy readability Slow-burn tension, emotional resonance