董其昌行書手卷《連環歌》,31×358.5cm,來源:華藝國際2018秋拍品。
在書法方麵,董其昌曾提出麵對古帖不必細究點畫形貌,而應注重觀察其內在的意境,既要妙合古人,又要神在能離。“妙合”才能得古人筆意,“神離”才能自出機杼。隻有擺脫古人法度的束縛,方可超凡入聖,洗淨塵俗,自成一家。明人周之士曾評價董其昌,“六體八法,靡所不精,出乎蘇,入乎米,而豐采姿神,飄飄欲仙”。
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此幅《連環歌》,用筆以勁力取勢、以虛和取韻,使其作品風神超逸。此卷董其昌運筆輕鬆,任性率真,神滿韻溢,逸致翩翩之態。古雅意趣躍然紙上,歎為觀止。
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