獨裁體製下似乎有相同的藝術特點，德國人也不例外，也許是他們創新的

https://www.newyorker.com/news/news-desk/inside-the-us-armys-warehouse-full-of-nazi-art

“Hitler at the Front,” by Emil Scheibe (1942).

 

“In the Beginning Was the Word,” by Hermann Otto Hoyer (1937).