ONLY LOVE: PART TWO - Told in flashback, a successful neurosurgeon (Rob Morrow) is unexpectedly called upon to treat his former fiancee, Silvia, who is dying from a brain tumor. The film then flashes back 15 years to when the couple first met as physicians on an African expedition. Based on the 1997 novel by Erich Segal. Watch Part ONE if you missed it: • Erich Segal's Only Love | Part 1 of 2... Rob Morrow, Mathilda May, Marisa Tomei, Emmy Rossum, Georges Corraface, Paul Freman, Jeroen Krabbe 1998 Directed by John Erman #onlylove#marisatomei
There are several reasons why Erich Segal’s Only Love is considered to be good:
Emotional depth: The novel delves deep into the emotions of its characters, exploring themes of love, loss, and redemption. Segal’s writing style effectively captures the complexities of human relationships and makes readers emotionally invested in the story.
Unique plot: Only Love tells the story of a renowned artist who loses his wife and embarks on a journey of self-discovery, guided by a young woman who helps him heal. The plot is unique and offers a fresh perspective on love and healing.
Character development: Segal’s characters are well-developed and relatable. Readers become attached to them and feel a strong connection, as they go through their personal journeys of growth and transformation.
Thought-provoking themes: The novel explores various themes such as the power of love, the importance of forgiveness, and the healing potential of art. It prompts readers to reflect on their own lives and relationships, making it a thought-provoking read.
Engaging storytelling: Segal’s storytelling technique keeps readers engaged throughout the novel. The pacing is well-maintained, and the narrative unfolds in a way that captivates the reader’s attention.
Cultural exploration: Only Love takes place in different locations, including Greece, France, and the United States. The novel offers glimpses into various cultures, adding an additional layer of richness to the story.
Overall, Erich Segal’s Only Love is considered good because of its emotional depth, unique plot, well-developed characters, thought-provoking themes, engaging storytelling, and cultural exploration.
